Movie Reviews Published by Indiewire - Page 2 of 182

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Review of Haunted Mansion (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 25 Jul 2023

The material simply isn’t strong or self-interested enough to support a cast as rich as the one Simien assembles here, a fact made all the…

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Review of Corner Office (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Jul 2023

It’s only towards the very end, when the film’s satire and surrealism pull apart from each other like a party cracker, that the tension…

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Review of The Beanie Bubble (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 20 Jul 2023

Despite building their adaptation around the cyclical predictability of American capitalism, Gore and Kulash can’t help but twist history’s…

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Review of Gray Matter (2023)

By Proma Khosla (6) for IndieWire (3,631) on 19 Jul 2023

The end feels somehow both slow and rushed, but Gray Matter showcases its strengths earlier on…

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Review of Oppenheimer (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 19 Jul 2023

Like “The Prestige” or “Interstellar” before it, “Oppenheimer” is a movie about the curse of being an emotional creature in a mathematical…

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Review of The Miracle Club (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 19 Jul 2023

This trite Irish trifle about a girls trip to Lourdes is so chalky and underbaked that its all-star cast (Laura Linney! Kathy Bates…

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Review of Stephen Curry: Underrated (2023)

By Steve Greene (48) for IndieWire (3,631) on 19 Jul 2023

Curry has had a fascinating past two decades, something that “Underrated” does an effective job of capturing…

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Review of Mutt (2023)

By Jude Dry (205) for IndieWire (3,631) on 18 Jul 2023

The title “Mutt” suggests something in between, caught between worlds and languages, genders and sexualities…

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Review of Fremont (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 Jul 2023

Despite trafficking in a wide array of Sundance tropes — from its modest but ethereal monochrome cinematography by DP Laura Valladao, to…

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Review of Barbie (2023)

By Kate Erbland (681) for IndieWire (3,631) on 18 Jul 2023

“Barbie” is a lovingly crafted blockbuster with a lot on its mind, the kind of feature that will surely benefit from repeat viewings (there…

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Review of The Unknown Country (2023)

By Carlos Aguilar (278) for IndieWire (3,631) on 17 Jul 2023

While the stirring visual fluidity of “The Unknown Country,” her first fiction feature and a kindhearted triumph, provides further arguments…

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Review of They Cloned Tyrone (2023)

By Christian Zilko (32) for IndieWire (3,631) on 14 Jul 2023

The winning cast allows Taylor to exploit the formula that the Coen brothers have made careers out of: watching lovable dimwits investigate…

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Review of Bird Box Barcelona (2023)

By Kate Erbland (681) for IndieWire (3,631) on 10 Jul 2023

Bird Box Barcelona has strayed so far from what made the first film interesting, scary, and yes, timely…

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Review of The Out-Laws (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 07 Jul 2023

Like so much of The Out-Laws, Brosnan and Barkin are both a little better than they need to be, and also a lot better than their material demands…

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Review of Insidious: The Red Door (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 07 Jul 2023

Spread thin between that father-son drama and the jolts intended to galvanize it, Wilson’s creaky debut underdelivers on both…

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Review of The League (2023)

By Robert Daniels (336) for IndieWire (3,631) on 07 Jul 2023

As a living record of the history of the Negro Leagues — it’s role in shaping America, in the prospects of upward mobility, in providing…

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Review of Amanda (2023)

By Kate Erbland (681) for IndieWire (3,631) on 06 Jul 2023

In a world where everyone feels lonely, Amanda might be our most authentic avatar, someone willing to get super weird in the hopes it will…

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Review of Mission: Impossible - Dead Reckoning Part One (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 05 Jul 2023

Ridiculous from the start but also strangely fresh for yet another 21st century tentpole about a rogue A.I., “Dead Reckoning Part One”…

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Review of Ruby Gillman, Teenage Kraken (2023)

By Kate Erbland (681) for IndieWire (3,631) on 30 Jun 2023

Kids are always in need of gracious tales about the power of being yourself in a world not necessarily built to embrace differences (of all…

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Review of Nimona (2023)

By Christian Zilko (32) for IndieWire (3,631) on 30 Jun 2023

What could have been a generic piece of standard Netflix fare in less skillful hands ends up being a nuanced story of belonging that’s slightly…

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