Movie Reviews Published by Indiewire - Page 4 of 182

61-80 of 3,631 Reviews

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Review of The Little Mermaid (2023)

By Kate Erbland (681) for IndieWire (3,631) on 22 May 2023

That problem: Does it feel real…

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Review of Anatomy of a Fall (2023)

By Ben Croll (93) for IndieWire (3,631) on 21 May 2023

As it calls the institution of marriage to the stand, Triet’s piercing film holds the ambient tensions and illogical loose ends of domestic…

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Review of Indiana Jones and the Dial of Destiny (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 May 2023

Not only is Indiana Jones and the Dial of Destiny an almost complete waste of time, it’s also a belabored reminder that some relics are better…

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Review of White Men Can't Jump (2023)

By Kate Erbland (681) for IndieWire (3,631) on 18 May 2023

This thing should be light on its feet, fleet and fast and fun…

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Review of Fast X (2023)

By Jude Dry (205) for IndieWire (3,631) on 17 May 2023

The action delivers, but the film’s third act suffers from an excess of set-ups, cameos, and minor deaths played up as major losses…

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Review of Crater (2023)

By Samantha Bergeson (25) for IndieWire (3,631) on 12 May 2023

It’s believably fun, but best suited for the age group the actors embody…

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Review of Fool's Paradise (2023)

By Samantha Bergeson (25) for IndieWire (3,631) on 12 May 2023

The only saving grace of Fool’s Paradise is watching Liotta do what he did best…

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Review of The Mother (2023)

By Jude Dry (205) for IndieWire (3,631) on 11 May 2023

If they can look past their own internal biases, The Mother should satisfy even the most diehard action fans, while leaving the door to some new ones…

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Review of Hypnotic (2023)

By Christian Zilko (32) for IndieWire (3,631) on 11 May 2023

It feels like an utterly ridiculous film before you hit the multitude of twists that blow up its already-shaky premise a dozen times over…

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Review of Sansón and Me (2023)

By Kristen Lopez (178) for IndieWire (3,631) on 09 May 2023

Watching and processing Sansón and Me is a melancholy experience…

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Review of Book Club: The Next Chapter (2023)

By Kate Erbland (681) for IndieWire (3,631) on 08 May 2023

Blindingly overlit, incoherently edited, and rife with baffling plot contrivances, the disappointing “Book Club: The Next Chapter” still…

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Review of Love Again (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 04 May 2023

Yes, most of the laugh lines in Love Again are stale enough that even just hearing them kind of hurts your teeth, but for all of its blatant…

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Review of You Can Live Forever (2023)

By Jude Dry (205) for IndieWire (3,631) on 04 May 2023

Though the well-crafted film makes use of a unique regional setting for some moving moments, its straightforward approach to well-worn territory…

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Review of Land of Gold (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 May 2023

The most frustrating thing about Kiran’s choice is the gradual realization that “Land of Gold” would have been a richer and more powerful…

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Review of Sanctuary (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 May 2023

The results are delightful and exasperating in almost perfectly equal measure until a last-minute hail Mary ends the movie on such a high that…

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Review of Peter Pan & Wendy (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Apr 2023

While Peter Pan & Wendy is clipped and uneven in a way that prevents it from reaching the same heights as the director’s previous Disney…

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Review of Guardians of the Galaxy Vol. 3 (2023)

By Kate Erbland (681) for IndieWire (3,631) on 28 Apr 2023

And, really, it does something wild, something increasingly rare along the way: it makes you feel, as messy and strange and unexpected as that…

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Review of 32 Sounds (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Apr 2023

32 Sounds wants nothing more than to send audiences back out into the world with ears wide open…

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Review of Big George Foreman (2023)

By Christian Zilko (32) for IndieWire (3,631) on 27 Apr 2023

It’s almost impressive that Big George Foreman: The Miraculous Story of the Once and Future Heavyweight Champion of the World is so dull…

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Review of Sisu (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 25 Apr 2023

Jalmari Helander’s Sisu is basically what might happen if someone transplanted “Fury Road” into Finland, lost 90 percent of what made…

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