Movie Reviews Published by Indiewire - Page 21 of 182

401-420 of 3,631 Reviews

Sort by:

Review of Elvis (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 25 May 2022

It’s hard to find even ironic enjoyment in something this high on its own supply; something much less interested in how its namesake broke…

Read Review

Review of Enys Men (2023)

By Leila Latif (37) for IndieWire (3,631) on 25 May 2022

As much as Jenkin’s film is hypnotic and strikingly realized, in the final half hour it runs out of tricks up its sleeve…

Read Review

Review of Moonage Daydream (2022)

By Siddhant Adlakha (174) for IndieWire (3,631) on 24 May 2022

More sensory experience than straightforward recounting, the documentary by Brett Morgen (“Kurt Cobain: Montage of Heck”) is about feeling…

Read Review

Review of Decision to Leave (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 May 2022

Park’s funny, playful, and increasingly poignant crime thriller is less interested in what Hae-joon (Park Hae-il) knows about his suspect…

Read Review

Review of Corsage (2022)

By Adam Solomons (5) for IndieWire (3,631) on 23 May 2022

Although Corsage makes a worthy attempt to recast Elisabeth as independent of her constraints, its final note leaves it feeling a little too…

Read Review

Review of Crimes of the Future (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 23 May 2022

Crimes of the Future is Cronenberg to the core, complete with its fair share of authorial flourishes (the moaning organic bed that its characters…

Read Review

Review of The Bob's Burgers Movie (2022)

By Kate Erbland (681) for IndieWire (3,631) on 23 May 2022

It’s a charmer — let’s just put a bit more spice on the next one…

Read Review

Review of One Fine Morning (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 May 2022

Hansen-Løve has traced her own paternal grief into an illuminatingly honest sketch about how loss is necessary for rebirth, guilt inextricable…

Read Review

Review of Triangle of Sadness (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 May 2022

The only thing Östlund’s po-faced characters can’t afford is to recognize the absurdity inherent to their lives, and so the movie keeps…

Read Review

Review of Puzzle (2018)

By Kate Erbland (681) for IndieWire (3,631) on 21 May 2022

Puzzle toes a tough line, managing to stay relentlessly good-hearted and deeply humane, even as Agnes herself plunges into deeper, more dramatic…

Read Review

Review of Diamond Hands: The Legend of WallStreetBets (2022)

By Robert Daniels (336) for IndieWire (3,631) on 20 May 2022

It reaffirms the ways the bootstrapping narrative can never be wholly possible in a broken capitalist environment…

Read Review

Review of Three Thousand Years of Longing (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 20 May 2022

In fact, the two stars are so sweet and searching together — their characters’ respective power and mutual solitude pulling them together…

Read Review

Review of Armageddon Time (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 19 May 2022

It’s a story about the invisible fault lines of inequality, the moral compromises demanded by the American Dream, and the very practical…

Read Review

Review of Chip 'n Dale: Rescue Rangers (2022)

By Kate Erbland (681) for IndieWire (3,631) on 17 May 2022

It makes for a creative, clever watch, though one that seems exclusively imagined to cater to the series’ older fans and otherwise mature audiences…

Read Review

Review of Senior Year (2022)

By Kate Erbland (681) for IndieWire (3,631) on 13 May 2022

Little in Senior Year will surprise, and the film chugs through its predictable beats with good humor, but there’s not much else to recommend…

Read Review

Review of Operation Mincemeat (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 May 2022

When Operation Mincemeat slows down enough to see into those shadows — when the film slows down enough to leverage the fictions its characters…

Read Review

Review of Firestarter (2022)

By Christian Zilko (32) for IndieWire (3,631) on 13 May 2022

Director Keith Thomas and writer Scott Teems found a way to turn the fun source material into a lethargic parenting drama that’s completely…

Read Review

Review of Top Gun: Maverick (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 12 May 2022

Stainless where the original was musty, neutered where the original was soft-core (there isn’t a single gratuitous shower scene in this sequel,…

Read Review

Review of The Takedown (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 May 2022

In a Netflix movie that’s so breezy and enjoyable because of its complete lack of stakes, Leterrier’s approach gets the job done…

Read Review

Review of Along for the Ride (2022)

By Kate Erbland (681) for IndieWire (3,631) on 06 May 2022

Its genuine, gentle charm holds far more appeal than the icky “Kissing Booth” series…

Read Review

Page 21 of 182

Indiewire features reviews by:

Top publishers this month:

Popular Movies Right Now

Mission: Impossible - Dead Reckoning Part One

2023

79%186 Reviews

Mad Max: Fury Road

2015

83%1,378 Reviews

Dawn of the Planet of the Apes

2014

79%1,167 Reviews

Ready Player One

2018

72%1,541 Reviews

War for the Planet of the Apes

2017

78%1,656 Reviews

Deadpool 2

2018

76%1,635 Reviews

The Batman

2022

75%430 Reviews

Top Gun: Maverick

2022

82%272 Reviews

Love

2015

54%174 Reviews

Oppenheimer

2023

85%310 Reviews