Movie Reviews Published by Indiewire - Page 20 of 182

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Review of Father of the Bride (2022)

By Kate Erbland (681) for IndieWire (3,631) on 15 Jun 2022

While many of the film’s beats are familiar, director Gary Alazraki’s version of this classic family comedy often misses one essential…

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Review of Stampede (2022)

By Kate Erbland (681) for IndieWire (3,631) on 15 Jun 2022

Quivoron’s feature debut is so singular, so thrilling, that it will hopefully escape without being sucked into the remake machine…

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Review of Lightyear (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Jun 2022

Lightyear is the first movie that Pixar has released in theaters since the start of the pandemic, a return to normal that would probably feel…

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Review of Spiderhead (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Jun 2022

For a movie so preoccupied with the choices that people can make, Spiderhead invariably makes the least interesting ones available to it, which…

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Review of Don't Make Me Go (2022)

By Kate Erbland (681) for IndieWire (3,631) on 13 Jun 2022

Don’t Make Me Go is a sweet, charming, and eventually daring dramedy with tons of heart…

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Review of Halftime (2022)

By Kate Erbland (681) for IndieWire (3,631) on 09 Jun 2022

Micheli’s film is less than artful, scattered with limited talking heads (mostly Lopez’s business partners and her mother, briefly), random…

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Review of Jurassic World Dominion (2022)

By Siddhant Adlakha (174) for IndieWire (3,631) on 08 Jun 2022

With little tension or humor to speak of, there’s nothing keeping Jurassic World: Dominion afloat, beyond the naïve hope that recognizing…

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Review of The Phantom of the Open (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Jun 2022

It’s enough that this heartfelt delight makes par on its premise; there’s a birdie here and a bogey there, but director Craig Roberts (“Eternal…

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Review of Fire Island (2022)

By Jude Dry (205) for IndieWire (3,631) on 02 Jun 2022

Grounding the lightness and frivolity with real heart, Booster’s laugh out loud script and Ahn’s artistic corralling of the energetic ensemble…

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Review of Fire Island (2023)

By Jude Dry (205) for IndieWire (3,631) on 02 Jun 2022

Grounding the lightness and frivolity with real heart, Booster’s laugh out loud script and Ahn’s artistic corralling of the energetic ensemble…

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Review of Hustle (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Jun 2022

Hustle may not be the greatest redemption story ever told about second chances, third careers, and the hard work of triumphing over your worst…

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Review of Hollywood Stargirl (2022)

By Kate Erbland (681) for IndieWire (3,631) on 01 Jun 2022

Hollywood Stargirl, for all its charm, doesn’t quite hang together as a complete story…

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Review of God's Creatures (2022)

By Kate Erbland (681) for IndieWire (3,631) on 28 May 2022

This is Aileen’s story and when “God’s Creatures” makes the odd choice to turn away from her just as things are reaching a fever pitch,…

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Review of War Pony (2023)

By Kate Erbland (681) for IndieWire (3,631) on 28 May 2022

Despite the apparent care and respect that went into Keough and Gammell’s film, “War Pony” also makes clear how very far there is still…

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Review of Showing Up (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 May 2022

As with Lizzy’s sculptures, which go into the kiln all mottled and damp but come out glistening with new layers of color, Showing Up is transformed…

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Review of Broker (2022)

By Ella Kemp (95) for IndieWire (3,631) on 27 May 2022

It’s one of the master’s most transparent and — when it comes to confrontations about what parents, and specifically women, can or should…

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Review of EO (2022)

By Adam Solomons (5) for IndieWire (3,631) on 26 May 2022

In Bresson’s version, it’s the humans around the donkey who are the true center of the story. Not so in EO…

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Review of Nostalgia (2023)

By Leila Latif (37) for IndieWire (3,631) on 26 May 2022

As the two men circle each other in the film’s second half, it shifts from contemplative drama to full-blown suspenseful thriller…

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Review of Stars at Noon (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 26 May 2022

Denis, Andrew Litvack, and Léa Mysius’ dialogue is only strengthened by its occasional awkwardness, as it subsumes Trish and Daniel into…

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Review of Holy Spider (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 26 May 2022

If the first half of the film shies away from the cheap thrills of its serial killer story, the pointed banality of its final chapters proves…

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