Movie Reviews Published by Indiewire - Page 22 of 182

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Review of Doctor Strange in the Multiverse of Madness (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 May 2022

Raimi succeeds with “Multiverse of Madness” because he fights the battles he can win, and he does so in a way that feels instructional…

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Review of Human Factors (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 May 2022

Trocker’s second feature (following 2016’s “The Eremites”) never quite manages to make good on its gamesmanship and only allows itself…

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Review of Crush (2022)

By Jude Dry (205) for IndieWire (3,631) on 29 Apr 2022

Crush is, for better or worse, just like every other teen rom-com, extraordinary in its ordinariness…

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Review of Crush (2022)

By Jude Dry (205) for IndieWire (3,631) on 29 Apr 2022

Crush is, for better or worse, just like every other teen rom-com, extraordinary in its ordinariness…

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Review of Crush (2022)

By Jude Dry (205) for IndieWire (3,631) on 29 Apr 2022

Crush is, for better or worse, just like every other teen rom-com, extraordinary in its ordinariness…

Read Review

Review of Crush (2022)

By Jude Dry (205) for IndieWire (3,631) on 29 Apr 2022

Crush is, for better or worse, just like every other teen rom-com, extraordinary in its ordinariness…

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Review of Hold Your Fire (2021)

By Tambay Obenson (20) for IndieWire (3,631) on 28 Apr 2022

The result is a searing look into a little-known moment in history with profound repercussions for how we understand policing today…

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Review of Fire in the Mountains (2022)

By Christian Blauvelt (25) for IndieWire (3,631) on 28 Apr 2022

Like “Pather Panchali” in the age of AirBnb and TikTok, Fire in the Mountains empathetically dramatizes the struggles that locals face…

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Review of Memory (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Apr 2022

Everyone in Campbell’s movie — from the director all the way down to his supporting cast — deserves better than this…

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Review of The Mystery of Marilyn Monroe: The Unheard Tapes (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Apr 2022

Cooper’s film does no independent research of its own, and therefore can’t possibly offer any tidbits that weren’t first reported in…

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Review of 365 Days: This Day (2022)

By Kate Erbland (681) for IndieWire (3,631) on 27 Apr 2022

No, most audiences who tune into 365 Days: This Day are likely not seeking out female empowerment tales or coherent plots, but the disdain…

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Review of Memory (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Apr 2022

Everyone in Campbell’s movie — from the director all the way down to his supporting cast — deserves better than this…

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Review of Memory (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Apr 2022

Everyone in Campbell’s movie — from the director all the way down to his supporting cast — deserves better than this…

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Review of Downton Abbey: A New Era (2022)

By Kate Erbland (681) for IndieWire (3,631) on 26 Apr 2022

A New Era” doesn’t feel like a cash-grab, but a true continuation…

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Review of Stay Awake (2023)

By Natalia Winkelman (145) for IndieWire (3,631) on 25 Apr 2022

It’s an earnest look at the collateral damage surrounding addiction, and the movie is at its strongest when it homes in on the experiences…

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Review of Choose or Die (2022)

By Jude Dry (205) for IndieWire (3,631) on 15 Apr 2022

Choose or Die is a perfect entry point into genre for younger viewers, one that will also satisfy old school diehards even as it takes some…

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Review of White Hot: The Rise & Fall of Abercrombie & Fitch (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 14 Apr 2022

Cathartic and outrageous as it can be to hear the juicy — but wildly unsurprising — details of how Abercrombie operated behind the scenes,…

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Review of Sirens (2022)

By Jude Dry (205) for IndieWire (3,631) on 13 Apr 2022

With the band’s headstrong co-founders leading their tale, Sirens is a powerful reminder that punk isn’t dead if you know where to look…

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Review of Metal Lords (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Apr 2022

Metal Lords may never find the rhythm a movie like this needs in order to stay in the sweet spot between goofy and charming, but there’s…

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Review of Father Stu (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Apr 2022

As a critic who’s professionally obligated to reckon with the latest trends in Christian cinema, I have to admit that Wahlberg’s R-rated…

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