Movie Reviews Published by Indiewire - Page 19 of 182

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Review of She Will (2022)

By Kate Erbland (681) for IndieWire (3,631) on 14 Jul 2022

Krige is magical enough in a complex role (and relative newcomer Eberhardt makes for a wonderful foil), but she can only pull the film along…

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Review of Anonymous Club (2022)

By Susannah Gruder (11) for IndieWire (3,631) on 14 Jul 2022

Anonymous Club is undoubtedly a film that Barnett fans will adore — but if you’re not familiar with her music, or perhaps not that into…

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Review of Mrs. Harris Goes to Paris (2022)

By Jude Dry (205) for IndieWire (3,631) on 14 Jul 2022

“Mrs…

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Review of The Gray Man (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 14 Jul 2022

The algorithmic results don’t reflect well on the Russo brothers’ directing chops — their monumental spandex operas seldom required and…

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Review of Where the Crawdads Sing (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 12 Jul 2022

That it’s able to split the difference between Nicholas Sparks and “Nell” with any measure of believability is a testament to Daisy Edgar-Jones’…

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Review of Persuasion (2022)

By Kate Erbland (681) for IndieWire (3,631) on 08 Jul 2022

Onally similar to Autumn de Wilde’s sprightly (and critically lauded) “Emma,” the first-time filmmaker’s cheeky and original debut…

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Review of Dreaming Walls (2022)

By Kristen Lopez (178) for IndieWire (3,631) on 07 Jul 2022

The film presents a contemplative elegy for a hotel whose history is (still) being eroded, but by focusing on the literal walls (and how they,…

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Review of The Sea Beast (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 07 Jul 2022

It tells a simple but epic story against the backdrop of a well-realized fantasy world, it does so at a measured pace that provokes the imagination…

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Review of Hello, Goodbye, and Everything in Between (2022)

By Jude Dry (205) for IndieWire (3,631) on 06 Jul 2022

The fast-paced dialogue and mature-but-wholesome humor creates a general aura of clever high school rapport, aided by a lively supporting performance…

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Review of Thor: Love and Thunder (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 05 Jul 2022

If Love and Thunder is more of the same, it’s also never less than that…

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Review of Minions: The Rise of Gru (2022)

By Kate Erbland (681) for IndieWire (3,631) on 30 Jun 2022

It’s colorful and madcap and zany, and while that might not make it suitable for all audiences, it will delight the very one it is made for…

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Review of Wildhood (2022)

By Jude Dry (205) for IndieWire (3,631) on 27 Jun 2022

Enlivened by elegant handheld cinematography and a galvanizing breakout performance from Phillip Lewitski, Wildhood is a beautiful testament…

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Review of The Man from Toronto (2022)

By Christian Zilko (32) for IndieWire (3,631) on 23 Jun 2022

Despite a fun premise and a well-structured first act, “The Man from Toronto” tries to do too many things at once and devolves into a strange…

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Review of Beavis and Butt-Head Do the Universe (2022)

By Kate Erbland (681) for IndieWire (3,631) on 22 Jun 2022

Beavis and Butt-Head Do the Universe doesn’t fully capitalize on a wealth of possible plots, send-ups, and diversions, but it makes a case…

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Review of Loving Highsmith (2022)

By Jude Dry (205) for IndieWire (3,631) on 21 Jun 2022

As seen through the eyes of her former lovers (merely a few of many), Highsmith’s life is brought sharply into focus, revealing as much about…

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Review of Mr Malcolm's List (2022)

By Kate Erbland (681) for IndieWire (3,631) on 20 Jun 2022

Jones and Allain’s vision of how we might reinterpret this sort of story for the big screen — including assembling a cast of people who…

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Review of Alone Together (2022)

By Samantha Bergeson (25) for IndieWire (3,631) on 16 Jun 2022

Alone Together has the momentum of a reclamation of sorts, but the plot tries to do too much, say too much, when it really should just be about…

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Review of Brian and Charles (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Jun 2022

It’s a shame that Brian and Charles plays things safe, as Archer’s naturally irreverent debut only becomes easier to invest in during its…

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Review of Alone Together (2022)

By Samantha Bergeson (25) for IndieWire (3,631) on 16 Jun 2022

Alone Together has the momentum of a reclamation of sorts, but the plot tries to do too much, say too much, when it really should just be about…

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Review of Jerry & Marge Go Large (2022)

By Christian Zilko (32) for IndieWire (3,631) on 16 Jun 2022

The film seems destined to live on as in-flight entertainment on nursing home-sponsored trips to Vegas, but a good cast and some well-placed…

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