Review of Persuasion (2022) by Kate Erbland for IndieWire — 08 Jul 2022
Onally similar to Autumn de Wilde’s sprightly (and critically lauded) “Emma,” the first-time filmmaker’s cheeky and original debut seems to have been the victim of some messy marketing. The final product is, yes, fun and contemporary, but also suffused with the deep longing of its heroine, Anne Elliot (Dakota Johnson, game as anyone to bridge seemingly disparate tones).
You can read the full review where it was originally posted online.
This review of Persuasion (2022) was written by Kate Erbland and published by IndieWire on 08 Jul 2022.
Persuasion has generally received mixed reviews.
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