Movie Reviews Published by Indiewire - Page 11 of 182

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Review of A Christmas Story Christmas (2022)

By Kate Erbland (681) for IndieWire (3,631) on 16 Nov 2022

It’s not a sequel; it’s a replica…

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Review of In Her Hands (2022)

By Kate Erbland (681) for IndieWire (3,631) on 16 Nov 2022

In Her Hands is happy to tout Ghafari’s status, the easy headlines about her gender and her age, even tougher stories about the price she’s…

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Review of Dylan & Zoey (2022)

By Christian Zilko (32) for IndieWire (3,631) on 14 Nov 2022

The film deserves credit for its nuanced exploration of sexual trauma, showing us characters who are both burdened by it yet seem to adjust…

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Review of Retrograde (2023)

By Emma Stefansky (22) for IndieWire (3,631) on 10 Nov 2022

To watch terror become desperation become despair is wrenching, more so because this puts names and faces to events the rest of us are fortunate…

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Review of Nothing Lasts Forever (2022)

By Jude Dry (205) for IndieWire (3,631) on 10 Nov 2022

By turns engaging and flashy, the film probes the narratives propping up the multi-billion dollar diamond industry and posits that it’s all…

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Review of Capturing the Killer Nurse (2022)

By Kate Erbland (681) for IndieWire (3,631) on 10 Nov 2022

If nothing else, Capturing the Killer Nurse should inspire its viewers, eager for both more information and more nuance, to seek out Lindholm’s…

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Review of Slumberland (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 10 Nov 2022

Slumberland is nothing if not an exhausting roller-coaster of missed opportunities, virtually all of which stem from the film’s lack of a…

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Review of Retrograde (2022)

By Emma Stefansky (22) for IndieWire (3,631) on 10 Nov 2022

To watch terror become desperation become despair is wrenching, more so because this puts names and faces to events the rest of us are fortunate…

Read Review

Review of Stutz (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 10 Nov 2022

However you slice it, Hill’s artifice proves intriguing even as it insists upon itself in ways that distract from Stutz’s lessons (which…

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Review of Falling for Christmas (2022)

By Samantha Bergeson (25) for IndieWire (3,631) on 10 Nov 2022

Lohan is just fine with self-deprecating quips at her expense and looking silly while getting messy by way of physical comedy involving toilets,…

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Review of Slumberland (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 10 Nov 2022

Slumberland is nothing if not an exhausting roller-coaster of missed opportunities, virtually all of which stem from the film’s lack of a…

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Review of Spirited (2022)

By Jude Dry (205) for IndieWire (3,631) on 09 Nov 2022

It’s refreshing to see two stars who could have easily phoned it in for the rest of their careers push themselves to try new things…

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Review of Spirited (2022)

By Jude Dry (205) for IndieWire (3,631) on 09 Nov 2022

It’s refreshing to see two stars who could have easily phoned it in for the rest of their careers push themselves to try new things…

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Review of Black Panther: Wakanda Forever (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 08 Nov 2022

For all of the film’s janky pacing, thoroughly mediocre action setpieces, and the clumsiness with which it’s forced to double as backdoor…

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Review of Eternal Spring (長春) (2023)

By Jude Dry (205) for IndieWire (3,631) on 07 Nov 2022

The story of Eternal Spring deserves to be told — but Loftus’ film falls victim to the kind of insidious propaganda members of Falun Gong…

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Review of Next Exit (2022)

By Christian Zilko (32) for IndieWire (3,631) on 03 Nov 2022

Parker and Kohli both give excellent performances, but the majority of Next Exit is hard to distinguish from the standard road trip dramas…

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Review of Meet Me in the Bathroom (2022)

By Ryan Lattanzio (73) for IndieWire (3,631) on 03 Nov 2022

Southern and Lovelace’s documentary appears to be held together by the same proverbial glue and paper clips that cohered the early sonic…

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Review of You Resemble Me (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Nov 2022

Amer’s fraught but noble intent has resulted in a fraught but noble film; a volatile, urgent debut that’s semi-effective kaleidoscopic…

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Review of Selena Gomez: My Mind & Me (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Nov 2022

It’s not a movie about healing so much as a movie about learning to hurt in the healthiest way possible…

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Review of The Estate (2022)

By Jude Dry (205) for IndieWire (3,631) on 03 Nov 2022

It takes truly terrible script to make such charming and accomplished comedic actors seems so wooden and lifeless…

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