Movie Reviews Published by Indiewire - Page 12 of 182

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Review of One Piece Film Red (2022)

By Emma Stefansky (22) for IndieWire (3,631) on 03 Nov 2022

One Piece Film: Red sails a fine line, its story beats familiar enough for the newcomers, with details as bizarre and garish as a “One Piece”…

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Review of American Rapstar (2020)

By Ryan Lattanzio (73) for IndieWire (3,631) on 02 Nov 2022

While a straightforward documentary in the classic sense, it’s polished, affecting, professionally edited, and bursting with big personalities…

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Review of The Independent (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Nov 2022

Despite appearances, The Independent isn’t much interested in the implications of a three-horse race for the Oval Office, or the viability…

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Review of Please Baby Please (2022)

By Jude Dry (205) for IndieWire (3,631) on 29 Oct 2022

With its bisexual lighting and hyper-designed oddball aesthetic, Please Baby Please looks a lot more polished than its messier camp influences…

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Review of My Father's Dragon (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Oct 2022

If this weren’t a Cartoon Saloon movie, it would probably fall apart long before Meg LeFauve’s screenplay arrives at its touching finale,…

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Review of Run Sweetheart Run (2020)

By Kate Erbland (681) for IndieWire (3,631) on 27 Oct 2022

Shana Feste’s initially grounded “Run Sweetheart Run” takes the concept of a “bad date” and runs with it to wild extremes, unfurling…

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Review of Louis Armstrong's Black & Blues (2022)

By Christian Blauvelt (25) for IndieWire (3,631) on 27 Oct 2022

Black & Blues” is a doc that will make you appreciate Armstrong, the man. Someone far too complex to reduce to any one thing…

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Review of Enola Holmes 2 (2022)

By Kate Erbland (681) for IndieWire (3,631) on 27 Oct 2022

The film reunites most of the principal cast and crew of director Harry Bradbeer’s 2020 Netflix feature, “Enola Holmes,” and while that…

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Review of The Novelist's Film (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Oct 2022

I can’t say whether Hong has suffered any of the creative self-doubts that animate his latest heroine, but the film he’s made for her feels…

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Review of The School for Good and Evil (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 20 Oct 2022

Fans of Soman Chainani’s popular fantasy series might feel as if a giant bone bird swooped out of the sky and carried them to streaming heaven,…

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Review of Black Adam (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 Oct 2022

The problem isn’t that Johnson can’t act — he definitely can! — the problem is that he doesn’t want to…

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Review of Bitch Ass (2022)

By Carlos Aguilar (278) for IndieWire (3,631) on 18 Oct 2022

Within his means and interests, Posley continues the legacy explored at length in the must-see 2019 documentary “Horror Noire: A History…

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Review of Brainwashed: Sex-Camera-Power (2022)

By Kate Erbland (681) for IndieWire (3,631) on 17 Oct 2022

Menkes will often admit that many examples might be the result of unconscious choices — a particularly useful and astute notation when dealing…

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Review of Guillermo del Toro's Pinocchio (2022)

By Rafael Motamayor (108) for IndieWire (3,631) on 15 Oct 2022

Pinocchio feels like the best mix of classic del Toro and new del Toro, with the wisdom and melancholy that comes with age and experience,…

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Review of Piggy (2022)

By Jude Dry (205) for IndieWire (3,631) on 14 Oct 2022

Aided by a dynamite performance from newcomer Laura Galán, Piggy uses the tension of a slasher thriller to weave a painfully relatable tale…

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Review of Pretty Problems (2022)

By Christian Zilko (32) for IndieWire (3,631) on 14 Oct 2022

A tight script, stellar ensemble cast, and plenty of easy-on-the-eyes shots of California wine country make for a delightful time at the movies…

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Review of The Curse of Bridge Hollow (2022)

By Christian Zilko (32) for IndieWire (3,631) on 14 Oct 2022

The Curse of Bridge Hollow makes no attempt to hide the fact that its only selling point is that it takes place during the holiday audiences…

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Review of The Same Storm (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Oct 2022

The sum of Hedges’ film is greater than any of its parts, even if its parts are not always worthy of the people who have been hired to play…

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Review of Halloween Ends (2022)

By Kate Erbland (681) for IndieWire (3,631) on 13 Oct 2022

If there is one lesson that “Halloween Ends” — hell, that this entire trilogy, this entire franchise — easily imparts, with blood and…

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Review of She Said (2022)

By Kate Erbland (681) for IndieWire (3,631) on 13 Oct 2022

That Weinstein’s downfall was the product of diligent reporting, dogged persistence, and the resilience of a few brave souls is essential…

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