Movie Reviews Published by Eye for Film - Page 9 of 77

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Review of Legend of the Mountain (1979)

By Jennie Kermode (588) for Eye for Film (1,537) on 20 Mar 2018

Legend Of The Mountain has two leading female characters who are remarkably forceful for the period…

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Review of High Fantasy (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 20 Mar 2018

High Fantasy is successful in highlighting that there are a major social issues South Africa still needs to deal with…

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Review of Maineland (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 15 Mar 2018

This is not a film replete with big revelations, but it effectively draws out the details that unsettle and give the migratory experience its power…

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Review of The New Romantic (2018)

By Jennie Kermode (588) for Eye for Film (1,537) on 14 Mar 2018

At its best, it's a sweet coming of age story with some keen observations to make about the way women's value is measured and female sexuality…

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Review of Voyageuse (2018)

By Jennie Kermode (588) for Eye for Film (1,537) on 13 Mar 2018

Erica's life may have been modest, but her testimony, and Thomas' film, would make many a pharaoh feel poor…

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Review of The Miseducation of Cameron Post (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 09 Mar 2018

While the characters are well drawn and the script gently amusing, it is also on the preachy side for adults - although young LGBTQ audiences…

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Review of Violeta at Last (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 07 Mar 2018

The strength of this film is in Chaverri's finely judged performance…

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Review of Leaning Into the Wind: Andy Goldsworthy (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 07 Mar 2018

[Thomas] Riedelsheimer also has an artist's eye and approach, so this is less a recording of [Andy] Goldsworthy than a dialogue between his…

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Review of Three Identical Strangers (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 05 Mar 2018

The surprises just keep coming in Tim Wardle's documentary, which starts in the realm of the remarkable and is likely to leave jaws dropped…

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Review of Haiku On A Plum Tree (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 02 Mar 2018

Maraini-Malehi's lack of experience shows, but as a first timer she could have done a lot worse, and she's succeeded in creating a documentary…

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Review of Kissing Candice (2018)

By Jennie Kermode (588) for Eye for Film (1,537) on 01 Mar 2018

The result is a film that's much more about mood than story…

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Review of Pity (2018)

By Jennie Kermode (588) for Eye for Film (1,537) on 01 Mar 2018

Sharp-witted and entertaining throughout, with a cute final scene that will come as a relief to many viewers, Pity is a polished piece of filmmaking…

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Review of My Nephew Emmett (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 01 Mar 2018

The writer/director achieves impressively high production values for his short and is clearly a man who knows how to surround himself with…

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Review of Arcadia (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 01 Mar 2018

You don't need to be English - or even British - to appreciate this brilliantly constructed film…

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Review of The Camino Voyage (2018)

By Jennie Kermode (588) for Eye for Film (1,537) on 01 Mar 2018

The Camino voyagers are not young men but their courage, determination and love of life show that it's never too late to embark on an adventure…

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Review of Arcadia (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 01 Mar 2018

You don't need to be English - or even British - to appreciate this brilliantly constructed film…

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Review of Mm (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 28 Feb 2018

One can almost smell the oil and dirt and sweat, feel the trembling of the earth as machines begin to hum…

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Review of Miami (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 28 Feb 2018

The relationship between the sisters is well defined and sensitively explored…

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Review of Mohawk (2018)

By Jennie Kermode (588) for Eye for Film (1,537) on 28 Feb 2018

The growing darkness as the film goes on seems as much metaphor as actuality, but how far those shadows reach is up to the viewer to discern…

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Review of Michael Inside (2018)

By Jennie Kermode (588) for Eye for Film (1,537) on 28 Feb 2018

Teenagers who have encountered the sharp end of the system, even to a lesser degree, will find much to relate to here…

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