Movie Reviews Published by Eye for Film - Page 8 of 77

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Review of When Lambs Become Lions (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 25 Apr 2018

Kasbe nudges us to remember the importance of food on the table - for all Kenyatta's show of might, wouldn't a better situation be kindled…

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Review of 50 Years Legal (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 24 Apr 2018

An astute and thorough piece of work, 50 Years Legal is a valuable contribution to LGBT history and to the broader battle against prejudice…

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Review of Wajib (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 21 Apr 2018

Annemarie Jacir's characters may not leave the city of Nazareth as they take a circular road trip in Wajib but the emotional distance they…

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Review of Beirut (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 19 Apr 2018

The plotting, though not without cliche, retains a satisfying robust quality - dense enough to keep you intrigued without becoming overwrought…

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Review of Ekaj (2015)

By Jennie Kermode (588) for Eye for Film (1,537) on 17 Apr 2018

It presents a world that is rarely seen onscreen like this, recognisable to those who have lived in it…

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Review of Mercury 13 (2018)

By Jennie Kermode (588) for Eye for Film (1,537) on 17 Apr 2018

Though modest in its artistic aims, it's a polished piece of work which has evidently benefited from the luxury of time in both the research…

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Review of Abulele (2015)

By Jennie Kermode (588) for Eye for Film (1,537) on 17 Apr 2018

The warm-heartedness of the whole production makes it easy enough for adults to like, and children who connect with it will want to watch it…

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Review of At First Light (2018)

By Jennie Kermode (588) for Eye for Film (1,537) on 16 Apr 2018

A beautiful example of small scale filmmaking which, by working well within its limits, manages to achieve much more than one might expect…

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Review of The Longest Game (2014)

By Jennie Kermode (588) for Eye for Film (1,537) on 11 Apr 2018

It is hard to imagine a time when people will look at this and not see something relatably human…

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Review of Puzzle (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 11 Apr 2018

As with a jigsaw puzzle, the overall picture may look familiar, but there's a real sense that craftsmanship has gone in to making sure each…

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Review of The Tale (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 09 Apr 2018

The film is, necessarily, shocking but Fox handles what must have been difficult emotional material for her in a cool and responsible way that…

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Review of Ghost Stories (2018)

By Jennie Kermode (588) for Eye for Film (1,537) on 04 Apr 2018

Though it feels, overall, as if it ought to have been better, Ghost Stories can't be faulted for ambition…

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Review of I Am Evidence (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 04 Apr 2018

It's full of fighting spirit and the conviction that society can do better…

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Review of Modern Life Is Rubbish (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 03 Apr 2018

While the flashback element of the film is solidly worked, the dialogue is clunky to the point where the romantic moments sound like a cliche-swapping…

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Review of The Poetess (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 01 Apr 2018

Brockhaus and Wolff include extensive interviews with Hilal, reflecting on the competition, also following her and her daughters as they prepare…

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Review of Men Don't Cry (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 01 Apr 2018

There are a lot of characters, but they gradually flow together to build a fractured patchwork of what it means to be a veteran of messy conflict…

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Review of A Suitable Girl (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 28 Mar 2018

His is a film full of love, colour and warmth, and it takes a nuanced view of its subject, but the loneliness saturating some of the celebrations…

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Review of Taste of Cement (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 24 Mar 2018

When the sound arrives it is intense, the noise of construction and the unmistakable clatter of war, acting along with heartbreaking visuals…

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Review of Nancy (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 23 Mar 2018

An intense character study in triplicate, made gripping both by the deliberately ambiguous way in which Christina Choe approaches everyone's…

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Review of Killing Gunther (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 21 Mar 2018

Too smart for the 'wacky comedy' box and too outrageously playful to sit alongside standard action fare, Killing Gunther is nevertheless destined…

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