Movie Reviews Published by Eye for Film - Page 10 of 77

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Review of Miami (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 28 Feb 2018

The relationship between the sisters is well defined and sensitively explored…

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Review of The Silent Child (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 28 Feb 2018

The filmmakers do not want you to feel good after this short, they want you to think…

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Review of Old Beast (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 28 Feb 2018

Though a little too crude to work as powerfully as it might in dramatic terms, Old Beast is nevertheless an important film, and a bold one…

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Review of Unsane (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 23 Feb 2018

That the biggest surprise of the film is not a plot point at all but the appearance of someone famous in a cameo role, speaks volumes…

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Review of In the Name of Peace: John Hume in America (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 22 Feb 2018

Packed with information and alert to the importance of details, this is an impressive example of the historical documentary art…

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Review of Abundant Acreage Available (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 22 Feb 2018

It's an intermittently charming portrait of a place and a way of life that dominates human destinies but in which those who are tough enough…

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Review of Jawbone (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 21 Feb 2018

Whilst there's little that's actually wrong with this film besides a general lack of energy, it just doesn't have much to say…

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Review of The Lodgers (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 21 Feb 2018

One of the better Gothic films of recent years, The Lodgers blends beauty and creepiness sublimely…

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Review of Black Code (2016)

By Jennie Kermode (588) for Eye for Film (1,537) on 21 Feb 2018

It is an impressively rich film, presenting a sea of information - but we are not waving…

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Review of Knife Skills (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 21 Feb 2018

Shot in a clean, crisp style that reflects the dynamics of the kitchen, Knife Skills is brilliantly edited and packs a lot into just 40 minutes…

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Review of Icarus (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 14 Feb 2018

Full of insights into the practice and politics of sport, many of them gained almost accidentally, Icarus is a multi-layered and compelling…

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Review of Strong Island (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 14 Feb 2018

Beautifully shot and full of subtle nuances, Strong Island is intriguing throughout…

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Review of You Were Never Really Here (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 13 Feb 2018

Nothing plays out as you expect, with Ramsay maintaining an unsettling staccato that keeps both the action and the viewer on edge…

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Review of Don't Worry, He Won't Get Far on Foot (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 12 Feb 2018

It's hard to be tough on a film with a spirit as warm-hearted as this - like Callahan, it's trying hard even when it fails…

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Review of Juliet, Naked (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 08 Feb 2018

The title might sound risque but the end product is as safe, cosy and unoriginal as a Now That's What I Call Music Christmas gift…

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Review of The Ritual (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 07 Feb 2018

Smarter than it may appear on the surface, The Ritual isn't just there to scare but to look at what being scared does to people…

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Review of Heroine (2012)

By Jennie Kermode (588) for Eye for Film (1,537) on 07 Feb 2018

A brief snapshot of a much bigger picture, this is an interesting film as far as it goes but, like its subject, not all that unusual…

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Review of Psycho (1960)

By Jennie Kermode (588) for Eye for Film (1,537) on 06 Feb 2018

If you haven't seen this yet, you should consider it a vital part of your film education. If you have, it's well worth repeat viewings…

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Review of The Happy Prince (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 06 Feb 2018

A mixed bag, as while Everett the actor masterfully evokes the mournful mix of decadence and decay of the last years of Wilde, Everett the…

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Review of The Cloverfield Paradox (2018)

By Jennie Kermode (588) for Eye for Film (1,537) on 06 Feb 2018

In places the film sails a little too close to the cannibalistic pseudo-science of Event Horizon or Pandorum, but it has an underlying intelligence…

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