Movie Reviews Published by Entertainment Weekly - Page 9 of 348

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Review of After Yang (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Mar 2022

Like its muse, the movie feels a little like a black-box experiment, one that can be both frustratingly opaque and achingly lovely: a still-waters…

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Review of The Batman (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Feb 2022

It falls on Pattinson's leather-cased Batman to be the hero we need, or deserve…

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Review of Texas Chainsaw Massacre (2022)

By Joshua Rothkopf (1,058) for Entertainment Weekly (6,953) on 19 Feb 2022

A remake could have been fun if it had been made with vision, or at least an appreciation of the original…

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Review of Marry Me (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 10 Feb 2022

It's all cream puff, a featherweight fairytale too shiny and mild to attempt the better movie about midlife romance and second chances that…

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Review of Death on the Nile (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Feb 2022

In a post-Knives Out world, is a movie like this meant to be a classic whodunit for the whole family, or something more deliberately meta and…

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Review of Moonfall (2022)

By Joshua Rothkopf (1,058) for Entertainment Weekly (6,953) on 06 Feb 2022

Mostly, though, as TV newscasters inform us, civilization has taken a serious nosedive — definitely the case when a well-financed Emmerich…

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Review of Jackass Forever (2022)

By Joshua Rothkopf (1,058) for Entertainment Weekly (6,953) on 03 Feb 2022

There's a deeper idea here — really…

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Review of You Won't Be Alone (2022)

By Joshua Rothkopf (1,058) for Entertainment Weekly (6,953) on 28 Jan 2022

The movie also gets deeper and more emotional as it goes, becoming a metaphor for restless empathy and non-binary points of view…

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Review of Emily the Criminal (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Jan 2022

Ford imbues his story with a tense, vibrating energy, moving briskly between the breathlessness of a heist thriller and the sharper barbs of…

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Review of Speak No Evil (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Jan 2022

Pay no attention to the shades of late-night cable in the title; Speak No Evil is a lamentably generic name for a movie as stark and unsettling…

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Review of Something in the Dirt (2022)

By Joshua Rothkopf (1,058) for Entertainment Weekly (6,953) on 26 Jan 2022

Doubling down on COVID-era listlessness and QAnon paranoia, the impressively fidgety, crammed-to-bursting Something in the Dirt ends up with…

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Review of Good Luck to You, Leo Grande (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Jan 2022

Thompson is, unsurprisingly, a force: alternately brittle and vulnerable and mordantly witty, her whole body vibrating with a lifetime's worth…

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Review of Sharp Stick (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Jan 2022

The movie's final frame asks us to believe that Sarah Jo has finally, ecstatically found herself; by then, whatever reason we have for watching…

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Review of Cha Cha Real Smooth (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Jan 2022

Cha Cha feels like both a fitting showcase for a young auteur like Raiff and a larger marker of how much movie masculinity has evolved: a real-smooth…

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Review of Fresh (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Jan 2022

Cave has a smart, stylish way of storytelling that somehow makes a film built on bone saws and grotesqueries feel almost breezy…

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Review of Fire of Love (2022)

By Joshua Rothkopf (1,058) for Entertainment Weekly (6,953) on 22 Jan 2022

The romance of the documentary emerges out of its deep, unfaked appreciation for nature: long, uninterrupted stretches where these self-described…

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Review of When You Finish Saving the World (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 22 Jan 2022

Adapting the script from his own 2020 audio play, Eisenberg treats his cast with measured acidity, drawing out their snarky moods and narcissistic…

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Review of A Journal for Jordan (2021)

By Mary Sollosi (29) for Entertainment Weekly (6,953) on 23 Dec 2021

Uninspired though it is, A Journal for Jordan delivers on the heartbreak of its premise. You will weep…

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Review of Cyrano (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Dec 2021

The real draw is Dinklage: with his mournful eyes and crooked smile, he's the tender, towering soul of Cyrano…

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Review of Swan Song (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Dec 2021

Without much dramatic tension beyond the will-he-or-won't-he of Cameron's final choice, the film feels oddly inert, a melancholic iPhone ad…

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