Movie Reviews Published by Entertainment Weekly - Page 8 of 348

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Review of Memory (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 29 Apr 2022

The whole thing is so wrapped in leaden dialogue and B-movie cliché that by the last weary, bloodletting hour, you'll envy Alex's ability to forget…

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Review of Memory (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 29 Apr 2022

The whole thing is so wrapped in leaden dialogue and B-movie cliché that by the last weary, bloodletting hour, you'll envy Alex's ability to forget…

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Review of Dear Mr. Brody (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 29 Apr 2022

The heir himself turned out to be a naïve and troubled young man, though Strickland leaves his particular fate a mystery until the final moments…

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Review of Petite Maman (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Apr 2022

Sciamma's elegant, melancholy fable captures something lovely and ineffable: a brief glimpse into life's great mystery…

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Review of Navalny (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Apr 2022

Navalny has a bracing, heart-racing story to tell, even as the improbable facts rush past…

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Review of Downton Abbey: A New Era (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Apr 2022

A New Era is strictly high-toned formula, from its God's-eye opening over spire-tipped turrets and green-velvet lawns to its soft-focus finish,…

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Review of The Unbearable Weight of Massive Talent (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Apr 2022

Cage, so great and unexpectedly subdued in last year's small-scale indie drama Pig, has a ball with his own myth-making, a star contracting…

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Review of Metal Lords (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Apr 2022

The story belongs to its young cast, and Lords' ramshackle comedy sweetly captures the rank anxiety, random humiliations, and undiluted hope…

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Review of Paris, 13th District (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Apr 2022

A love triangle, or maybe something more like a love polygon, lies at the center of the slight but alluring latest from Parisian writer-director…

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Review of The Northman (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Apr 2022

Beneath the runes and visions, it's a tale as old as Game of Thrones, and as simple as a story told around a campfire: a ride of the Valkyries…

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Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Apr 2022

Dumbledore feels like an improvement, at least, on the joyless, enervating slog of 2018's Crimes of Grindelwald; it's nimbler and sweeter and…

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Review of All the Old Knives (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Apr 2022

Pine and Newton work valiantly to fill in the blanks, though the gray-flannel template of the dialogue often pushes back…

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Review of Ambulance (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Apr 2022

The violence is cartoonishly casual and the ending pure Hollywood corn…

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Review of The Bubble (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 31 Mar 2022

Both directors have made much better movies; go watch one of those instead…

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Review of Morbius (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 30 Mar 2022

Swedish-Chilean director Daniel Espinosa (Life) gives it all a dark sheen, and shoots the pair's inevitable confrontations less like traditional…

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Review of The Lost City (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Mar 2022

Nothing in Lost City would really hang together without its main pair, whose chemistry movies like this inevitably live or die on…

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Review of Deep Water (2022)

By Darren Franich (64) for Entertainment Weekly (6,953) on 16 Mar 2022

Deep Water isn't really thrilling or erotic, but it accomplishes a kind of diagonal camp sincerity, plummeting its glamorous characters into…

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Review of Everything Everywhere All at Once (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Mar 2022

The actors, particularly the inexhaustible Yeoh, do much of the work to ground what often feels, with its dream logic and layer-cake Inception…

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Review of The Adam Project (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Mar 2022

For all its earnest sentiment and questionable science, though, Adam barrels along on movie stars and charm, from futures past and back again…

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Review of Turning Red (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Mar 2022

In the tricky world of tween-dom, it captures something sweetly universal: Growing up is messy, no matter how you bear it…

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