Movie Reviews Published by Entertainment Weekly - Page 5 of 348

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Review of SMILE (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Oct 2022

Bacon is great fun as a girl on the verge of a nervous breakdown, chirping with increasing desperation that she's fine, and Finn is a pleasingly…

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Review of White Noise (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Oct 2022

Compared to the tender groundedness of Baumbach's finest films, like The Squid and the Whale and Marriage Story, the scampering leaps and feints…

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Review of Smile (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Oct 2022

Bacon is great fun as a girl on the verge of a nervous breakdown, chirping with increasing desperation that she's fine, and Finn is a pleasingly…

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Review of Smile (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Oct 2022

Bacon is great fun as a girl on the verge of a nervous breakdown, chirping with increasing desperation that she's fine, and Finn is a pleasingly…

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Review of Amsterdam (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Oct 2022

The production and costume design are, unsurprisingly, impeccable…

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Review of Bros (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 29 Sep 2022

Bros wears its queerness proudly, without stooping to cater overmuch to whatever elusive demographics might qualify it as a crossover success…

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Review of Nothing Compares (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 29 Sep 2022

As an intimate, often infuriating portrait of an artist and era, it's hard to argue with the raw power of the story on screen — and the timeliness…

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Review of Catherine Called Birdy (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Sep 2022

A sly fairytale about a medieval tween that manages to be both cheeky and modern without losing its heart…

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Review of A Jazzman's Blues (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Sep 2022

[Perry] also has a way of making even the most telegraphed twists and overheated dialogue ring with conviction, a consummate entertainer to the end…

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Review of Blonde (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Sep 2022

The main thing the movie misses in portraying Marilyn solely as a tragic sex bomb isn't just the pleasure that Monroe herself brought to millions,…

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Review of The Banshees of Inisherin (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Sep 2022

To be corny, which the film is decidedly not, it's about life: the brevity of it, the risks we do or don't take, who in the end we choose to…

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Review of Causeway (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Sep 2022

It's nice to see actors like these do such subtle, sympathetic work for a gifted young director — and to find an outlet for storytelling…

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Review of The Whale (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 Sep 2022

Here it often feels clumsy and maddeningly inconsistent, stranding Fraser in a melodrama undeserving of his lovely, unshowy performance…

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Review of My Policeman (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 Sep 2022

Policeman, as emotionally earnest and elegantly made as it is, mostly feels like a movie we've seen many times before: a pleasantly escapist…

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Review of The Fabelmans (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Sep 2022

Because it's Spielberg, it's all beautifully, meticulously rendered, and not a little glazed in wistful sentiment: an infinitely tender, sometimes…

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Review of The Woman King (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 10 Sep 2022

The fighting, when it comes — from competing tribes, and from white colonizers steadily advancing an international slave trade — is viscerally…

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Review of Bones and All (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Sep 2022

Take away the people-eating, and it could almost be a Springsteen song…

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Review of TÁR (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Sep 2022

The movie belongs to Blanchett, in a turn so exacting and enormous that it feels less like a performance than a full-body possession…

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Review of Empire of Light (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Sep 2022

Colman, her eyes darting between hope and devastation, is so lit-up and specific (and funny, a quality that doesn't seem to get mentioned enough)…

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Review of Don't Worry Darling (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Sep 2022

The movie, whatever its pile of ideas about love, gender constructs, and modern living, never really transcends Stepford mood-board pastiche…

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