Movie Reviews Published by Entertainment Weekly - Page 4 of 348

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Review of Louis Armstrong's Black & Blues (2022)

By Joshua Rothkopf (1,058) for Entertainment Weekly (6,953) on 28 Oct 2022

A global celebrity during America's earliest conversations about civil rights, Armstrong preferred to keep his dissatisfactions to himself,…

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Review of All Quiet on the Western Front (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Oct 2022

This sprawling German-language adaptation of Erich Maria Remarque's classic WWI novel is a film that feels both aesthetically dazzling and…

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Review of Aftersun (2022)

By Joshua Rothkopf (1,058) for Entertainment Weekly (6,953) on 21 Oct 2022

Though any honest summation can't do it justice, Charlotte Wells's tender feature debut is the kind of revelation that movie fans dream of…

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Review of Black Adam (2022)

By Joshua Rothkopf (1,058) for Entertainment Weekly (6,953) on 21 Oct 2022

Black Adam is what happens when artists say they want to go dark but don't really have the stomach for it…

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Review of Raymond & Ray (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Oct 2022

The whole thing is so airless and hollowly constructed, so full of mimed but unfelt feelings, that it's a relief to put this body in the ground…

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Review of Ticket to Paradise (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Oct 2022

There's no doubt both actors deserve sharper, less silly material than this, but when they're playing beer pong in a Bali bar and drunkenly…

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Review of Aftersun (2022)

By Joshua Rothkopf (1,058) for Entertainment Weekly (6,953) on 21 Oct 2022

Though any honest summation can't do it justice, Charlotte Wells's tender feature debut is the kind of revelation that movie fans dream of…

Read Review

Review of Wendell & Wild (2022)

By Joshua Rothkopf (1,058) for Entertainment Weekly (6,953) on 21 Oct 2022

You'll forgive the movie its cluttered shagginess because its universe is so strange — even an icy puddle is rendered exquisitely…

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Review of The Good Nurse (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 19 Oct 2022

It feels like a faint insult to say that The Good Nurse could be a premium-cable product from long ago, one of those lightly prestige-y Sunday-night…

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Review of Halloween Ends (2022)

By Joshua Rothkopf (1,058) for Entertainment Weekly (6,953) on 14 Oct 2022

Before it lumbers to its big showdown — halfheartedly, with all the excitement of a third installment of a third reboot cycle — Halloween…

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Review of Till (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Oct 2022

Till-Mobley's choice to let the world see what Mississippi had done to her son — she demanded an open casket at his funeral — helped ignite…

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Review of Till (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Oct 2022

Till-Mobley's choice to let the world see what Mississippi had done to her son — she demanded an open casket at his funeral — helped ignite…

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Review of Luckiest Girl Alive (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Oct 2022

Luckiest Girl is the kind of rainy-day thriller Netflix was made for: lurid, entertaining, patently silly…

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Review of Triangle of Sadness (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Oct 2022

Triangle hits more marks than it misses, and in a somber, often underwhelming season of would-be arthouse hits, the movie is a bona-fide trip…

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Review of Smile (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Oct 2022

Bacon is great fun as a girl on the verge of a nervous breakdown, chirping with increasing desperation that she's fine, and Finn is a pleasingly…

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Review of Smile (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Oct 2022

Bacon is great fun as a girl on the verge of a nervous breakdown, chirping with increasing desperation that she's fine, and Finn is a pleasingly…

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Review of White Noise (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Oct 2022

Compared to the tender groundedness of Baumbach's finest films, like The Squid and the Whale and Marriage Story, the scampering leaps and feints…

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Review of Smile (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Oct 2022

Bacon is great fun as a girl on the verge of a nervous breakdown, chirping with increasing desperation that she's fine, and Finn is a pleasingly…

Read Review

Review of Smile (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Oct 2022

Bacon is great fun as a girl on the verge of a nervous breakdown, chirping with increasing desperation that she's fine, and Finn is a pleasingly…

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Review of God's Creatures (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Oct 2022

As an acting showcase, Creatures is more than admirable; as a tourism ad for Ireland, untenable…

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