Movie Reviews Published by Entertainment Weekly - Page 32 of 348

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Review of The Lego Movie 2: The Second Part (2019)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 26 Jan 2019

As entertaining as The Lego Movie 2 ends up being — and let’s be clear, it’s still better than 99 percent of its competition — there’s…

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Review of Honey Boy (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Jan 2019

If Honey's arc feels stamped in an certain kind of indie template, it still builds a sneaky kind of emotional capital…

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Review of Serenity (2019)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 24 Jan 2019

It wants to be trashy, pulpy fun that toys with your mind and your expectations. Sadly, it just ends up insulting both…

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Review of The Kid Who Would Be King (2019)

By Dana Schwartz (34) for Entertainment Weekly (6,953) on 22 Jan 2019

The script is good-natured and action-packed and attempts to delve into thematic territory beyond what might be normally expected from a kid's movie…

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Review of Family Business (1989)

By Tim Appelo (178) for Entertainment Weekly (6,953) on 19 Jan 2019

Family Business is one of Lumet’s very worst movies, but the actors are stellar…

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Review of Close (2019)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 17 Jan 2019

The twists in Close aren’t very twisty and its thrills aren’t particularly thrilling…

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Review of Fyre (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 16 Jan 2019

The movie is more than a bonfire of the inanities; it’s a shrewd indictment of a dream gone spectacularly, criminally wrong…

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Review of The Upside (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Jan 2019

The racial politics feel almost willfully retro, but the actors’ charisma cuts through: Forced to work strictly from the neck up, Cranston…

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Review of A Dog's Way Home (2019)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 11 Jan 2019

Heartwarming, mildly funny, and occasionally thrilling without ever being anything more than just fine…

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Review of Glass (2019)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 09 Jan 2019

Yes, it’s easy to be impressed by the world that Shyamalan has created and now fleshed out, but it would be nice if we were also moved to…

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Review of Holmes & Watson (2018)

By Dana Schwartz (34) for Entertainment Weekly (6,953) on 26 Dec 2018

A brilliant supporting cast, which includes Hugh Laurie, Steve Coogan, Ralph Fiennes, Lauren Lapkus, Rebecca Hall, and Kelly MacDonald, is…

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Review of Stan & Ollie (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 24 Dec 2018

The reason that this old-fashioned movie works as well as it does is the transformative commitment of its two leads…

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Review of All Is True (2018)

By Dana Schwartz (34) for Entertainment Weekly (6,953) on 21 Dec 2018

There is a beautiful, surprising, and entirely engrossing film within this movie; it’s just almost impossible to find among the establishing…

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Review of Second Act (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 20 Dec 2018

What’s fun is just watching Lopez and her supporting cast — including her real-life best friend Remini, Tony winner Annaleigh Ashford as…

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Review of Welcome to Marwen (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 19 Dec 2018

If Marwencol made your heart go out to Mark, Welcome to Marwen does something quite different. It makes you want to back away from him slowly…

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Review of Cold War (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 19 Dec 2018

Director Pawel Pawlikowski’s Cold War resembles a waking dream. And a ravishingly romantic one at that…

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Review of Vice (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 17 Dec 2018

The shrewd, relentless winkiness of McKay’s filmmaking style may have worked better, though, for breaking down subprime mortgages in The…

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Review of Vice (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 17 Dec 2018

The shrewd, relentless winkiness of McKay’s filmmaking style may have worked better, though, for breaking down subprime mortgages in The…

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Review of On the Basis of Sex (2018)

By Maureen Lee Lenker (21) for Entertainment Weekly (6,953) on 17 Dec 2018

A suitably inspiring biopic despite its narrative unevenness and occasional reliance on schmaltz, seeks to show audiences the origin story…

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Review of Bumblebee (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Dec 2018

John Cena is top billed, and though his brick-jawed military man doesn’t actually get many scenes, he does get a disproportionate share of…

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