Movie Reviews Published by Entertainment Weekly - Page 31 of 348

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Review of Apollo 11 (2019)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 08 Mar 2019

The NASA mission at the heart of the must-see documentary Apollo 11 reminds you what it feels to be truly awestruck…

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Review of Captain Marvel (2019)

By Darren Franich (64) for Entertainment Weekly (6,953) on 05 Mar 2019

Captain Marvel only figures itself out toward the end, when a couple twists I won’t spoil sharpen the spanning saga into a motley-crew errand…

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Review of The Mustang (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Mar 2019

First-time feature filmmaker Laure de Clermont-Tonnerre brings a gorgeous, wide-open sparseness to her visual storytelling (it makes sense…

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Review of The Wedding Guest (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Mar 2019

The phrase “low-key thriller” might be an oxymoron, but it also feels like the best description of The Wedding Guest…

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Review of The Hole in the Ground (2019)

By Dana Schwartz (34) for Entertainment Weekly (6,953) on 01 Mar 2019

The Hole in the Ground never seeks to differentiate itself from the established horror movie aesthetic: we get creepy jangling lullaby music,…

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Review of Greta (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Mar 2019

A loony psychodrama so steeped in winking, twinkly-toed camp that it almost (almost!) escapes the leaden tropes of the genre…

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Review of Gloria Bell (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Mar 2019

Moore — vulnerable but undauntable — lives every moment in her skin, fantastic to the last glorious frame…

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Review of Climax (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 27 Feb 2019

Is it possible to be an enfant terrible when you’re 55…

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Review of Paddleton (2019)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 20 Feb 2019

Thanks to two pitch-perfect performances, Paddleton is bittersweet and poignant beyond words…

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Review of Happy Death Day 2U (2019)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 12 Feb 2019

Look, no one is expecting much from a movie called Happy Death Day 2U. Certainly not air-tight logic. But this chapter feels phoned in…

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Review of Isn't It Romantic (2019)

By Dana Schwartz (34) for Entertainment Weekly (6,953) on 12 Feb 2019

Isn’t It Romantic pulls off a sweet sleight-of-hand trick as a rom-com-within-a-rom-com, mocking all of the classic rom-com tropes while…

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Review of Harley Davidson and the Marlboro Man (1991)

By Jill Rachin (1) for Entertainment Weekly (6,953) on 09 Feb 2019

All the virile violence in this buddy picture is lackluster — we’ve seen these fights, chases, and shoot-outs before…

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Review of High Flying Bird (2019)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 06 Feb 2019

Written by Oscar-winning Moonlight screenwriter Tarell Alvin McCraney, the new film feels stagey, confusing, and didactically obvious…

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Review of Fighting with My Family (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Feb 2019

Most of Fighting’s narrative moves are as choreographed as any undercard match — and the outcome as clearly forecast — but the tears…

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Review of Miss Bala (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 31 Jan 2019

It’s mostly left to Rodriguez to carry the absurdity on her shoulders, and the fact that she makes it so watchable is a real testament to…

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Review of Alita: Battle Angel (2019)

By Darren Franich (64) for Entertainment Weekly (6,953) on 31 Jan 2019

This manga adaptation is a tired science-fiction odyssey, with bland digital effects piled onto a sappy non-story that feels like a two-hour…

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Review of Polar (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 30 Jan 2019

Åkerlund — the Swedish mastermind behind tastemaking music videos for the likes of Beyoncé, Lady Gaga, and Taylor Swift — has jittery,…

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Review of Polar (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 30 Jan 2019

Åkerlund — the Swedish mastermind behind tastemaking music videos for the likes of Beyoncé, Lady Gaga, and Taylor Swift — has jittery,…

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Review of Arctic (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 30 Jan 2019

Penna’s concept is hardly new, but his execution is sharp, clean, and smartly paced; a harrowing postcard from the void…

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Review of Velvet Buzzsaw (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Jan 2019

For a lot of its runtime, Velvet is fun and silly and enjoyably outrageous…

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