Movie Reviews Published by Entertainment Weekly - Page 23 of 348

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Review of On the Record (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Jan 2020

If the subject ultimately proves to be more slippery and diffuse than in the duo’s previous films (The Invisible War addressed sexual assault…

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Review of Shirley (2020)

By David Canfield (6) for Entertainment Weekly (6,953) on 27 Jan 2020

The plot, admittedly, is scattered; this is par for the course for Decker, but in a movie with more conventional bones, the shagginess sticks…

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Review of Zola (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Jan 2020

If Paige and Keogh weren’t both such indelible, fiercely charismatic characters, the whole thing could easily fall apart…

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Review of The Assistant (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Jan 2020

Instead of melodrama, the movie finds its traction in parsing out micro-aggressions and mood: a sort of devastating slow-drip portrait of the…

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Review of The Assistant (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Jan 2020

Instead of melodrama, the movie finds its traction in parsing out micro-aggressions and mood: a sort of devastating slow-drip portrait of the…

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Review of Miss Americana (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 24 Jan 2020

You wish you’d seen more of this Taylor a long time ago…

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Review of Bad Hair (2020)

By David Canfield (6) for Entertainment Weekly (6,953) on 24 Jan 2020

You sense Simien’s pushing into uncharted territory…

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Review of The Gentlemen (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 22 Jan 2020

The Gentlemen is nothing if not a callback to the Locks of yesteryear, star-stacked and defibrillated with enough juice to jolt a gorilla out…

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Review of Bad Boys for Life (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Jan 2020

Banter and bullets is the action-movie MO, and the duo at the center of it hardly seem to have to stretch to spread their bickering charm on…

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Review of Dolittle (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Jan 2020

The film is so eager to please, so relentlessly quippy and quirky and tipped with antic whimsy, it often feels like visiting a zoo built into…

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Review of Like a Boss (2020)

By Maureen Lee Lenker (21) for Entertainment Weekly (6,953) on 10 Jan 2020

The film tries to replicate the formula that made Bridesmaids sing, pairing a heartfelt story exploring the complexities of female friendship…

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Review of Underwater (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Jan 2020

She’s (Stewart) just another action hero — albeit a smart, flinty one with exceptionally good hair — learning the hard way that under…

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Review of The Grudge (2019)

By Clark Collis (94) for Entertainment Weekly (6,953) on 06 Jan 2020

The Grudge is overly reliant on jump scares and the sheer number of characters involved here means that some are thinly-drawn, though the crackerjack…

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Review of Clemency (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Dec 2019

Clemency does what few other movies about death row have, handling a thorny, infinitely complicated subject in terms that are neither moralizing…

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Review of Dead Men Don't Wear Plaid (1982)

By Steve Simels (96) for Entertainment Weekly (6,953) on 19 Dec 2019

The vintage footage is seamlessly integrated into the action, and the end result is both very funny and very true to the conventions of the…

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Review of Star Wars: The Rise of Skywalker (2019)

By Darren Franich (64) for Entertainment Weekly (6,953) on 18 Dec 2019

We need a new franchise designation for this stumbling, bloodless conglomeration of What Once Was…

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Review of Cats (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Dec 2019

Even after 110 tumbling, tail-swishing, deeply psychedelic minutes, it’s hard to know if you ever really knew anything — except that C…

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Review of Spies in Disguise (2019)

By Christian Holub (57) for Entertainment Weekly (6,953) on 16 Dec 2019

It’s a proud piece of family entertainment with a good heart, an eye for inventive action, and a delightfully wacky sense of humor…

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Review of Black Christmas (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Dec 2019

A sort of forgettable Christmas wisp, a black-hearted jingle bell only half-rung…

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Review of A Hidden Life (2019)

By Darren Franich (64) for Entertainment Weekly (6,953) on 12 Dec 2019

A Hidden Life’s cinematographer is Jörg Widmer, Malick’s longtime camera operator. His work is handsome and a tad too dutiful…

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