Movie Reviews Published by Entertainment Weekly - Page 22 of 348

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Review of Spenser Confidential (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Mar 2020

Fists will smash; pecs will flex; hard consonants, like dirty cops, don't stand a chance…

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Review of First Cow (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Mar 2020

A bittersweet comic absurdity, told in the rhythms of real life…

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Review of The Way Back (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Mar 2020

Affleck keeps the movie anchored with his rumpled, unshowy performance: a man killing himself to live, until he can start to believe that maybe…

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Review of Onward (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Mar 2020

Even at a relatively brief hour and 37 minutes, the familiar contours of Scanlon's story line struggle to conjure the wonder that Pixar’s…

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Review of Big Time Adolescence (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Mar 2020

If Big Time isn’t exactly a PSA for good adulting, it’s still an endearingly messy portrait of boyhood and manhood and all the lessons in between…

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Review of The Invisible Man (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Feb 2020

If the buildup and catharsis of its final minutes are more than a little silly, and marred by Whannell’s urge to put too neat bow on it all,…

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Review of Emma (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Feb 2020

The freshness is found, primarily, in the energy of her storytelling and her vital young cast…

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Review of Emma. (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Feb 2020

The freshness is found, primarily, in the energy of her storytelling and her vital young cast…

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Review of Emma (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Feb 2020

The freshness is found, primarily, in the energy of her storytelling and her vital young cast…

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Review of The Call of the Wild (2020)

By Maureen Lee Lenker (21) for Entertainment Weekly (6,953) on 17 Feb 2020

Though this tale of redemption and survival doesn’t feel particularly relevant or essential in today’s media landscape, it still has the…

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Review of Downhill (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Feb 2020

As an attempt to scale the craggy heights of a marriage in crisis, Downhill may be more bunny slope than black diamond — a force mineure,…

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Review of To All the Boys: P.S. I Still Love You (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 Feb 2020

Though it also feels like the kind of movie you wish they made more often for all the boys, and girls, still figuring out who they are —…

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Review of Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Feb 2020

Does the movie’s pop-feminist message need to be as consistently, cartoonishly violent as it is? Almost definitely not…

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Review of The Rhythm Section (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 31 Jan 2020

In the second half, the movie even manages a few rare moments of visceral thrill, and even something like catharsis…

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Review of Never Rarely Sometimes Always (2020)

By Mary Sollosi (29) for Entertainment Weekly (6,953) on 29 Jan 2020

There’s no need to heavily editorialize here; Hittman is an assured enough filmmaker to portray this drama honestly and non-manipulatively,…

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Review of Minari (2021)

By David Canfield (6) for Entertainment Weekly (6,953) on 28 Jan 2020

Minari works quietly and methodically, embracing its lush rural setting with striking glimpses of its characters, alone against vast and empty…

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Review of Black Bear (2020)

By David Canfield (6) for Entertainment Weekly (6,953) on 28 Jan 2020

It’s brainy, sure, but the emotional experience is what’s most vivid…

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Review of The Courier (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Jan 2020

Ironbark might not be a great film in the end, but it is a satisfying good one — a story that’s at its best when it colors outside the…

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Review of Promising Young Woman (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Jan 2020

As satire, Woman‘s first two acts are fun but broad: a winky, wildly stylized slice of girl-powered revenge porn…

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Review of Wendy (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Jan 2020

Zeitlin has a gift for casting vivid new talent, and for creating images that read like fevered visual poetry: gorgeously saturated tableaus…

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