Movie Reviews Published by Entertainment Weekly - Page 2 of 348

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Review of The Super Mario Bros. Movie (2023)

By Christian Holub (57) for Entertainment Weekly (6,953) on 04 Apr 2023

It's all quite fun, with a good sense of humor and a consistent computer-animated aesthetic — plus, at 90 minutes including credits, it's…

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Review of Dungeons & Dragons: Honor Among Thieves (2023)

By Christian Holub (57) for Entertainment Weekly (6,953) on 31 Mar 2023

What's especially welcome about the humor in Honor Among Thieves is that it doesn't wink or mock its material; the characters just say funny…

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Review of John Wick: Chapter 4 (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Mar 2023

As Wick carves a path of stoic destruction across several continents, the series' longtime director Chad Stahelski, once Reeves' Matrix stand-in…

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Review of Scream VI (2023)

By Joshua Rothkopf (1,058) for Entertainment Weekly (6,953) on 08 Mar 2023

Splattery, puncture-heavy violence — the hard-R rating is earned — alternates with deadening rafts of therapy-speak, including an actual…

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Review of Operation Fortune: Ruse de Guerre (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Mar 2023

Globe-trotting tomfoolery ensues, in ways never quite as witty or engaging as you want them to be, though Hugh Grant and Josh Hartnett bring…

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Review of The Quiet Girl (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 24 Feb 2023

With its English subtitles and small-scale epiphanies, Girl is the kind of quiet film that could easily get lost in a noisy season; lean in…

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Review of Cocaine Bear (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 24 Feb 2023

It's all patently ridiculous, and even at 95 minutes, a stretch to call this loose cannonball of high camp and sticky-bright gore a movie…

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Review of Creed III (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Feb 2023

Majors, already seemingly inescapable this year, brings a wounded menace that suggests the many sedimentary layers of fury and grief underneath;…

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Review of Return to Seoul (2022)

By Joshua Rothkopf (1,058) for Entertainment Weekly (6,953) on 17 Feb 2023

In its colorful, Godardian way, Return to Seoul becomes a quest movie, but not the one you're expecting — it's the opposite of sentimental…

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Review of Ant-Man and the Wasp: Quantumania (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Feb 2023

At just over 120 minutes, though — a blink in Marvel time — this Ant-Man is clever enough to be fun, and wise enough not overstay its welcome…

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Review of Sharper (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 10 Feb 2023

It's easy to lose count of the double and triple crosses in Sharper, a silly and unabashedly camp thriller that is, frankly, exactly the kind…

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Review of Somebody I Used to Know (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 10 Feb 2023

There's a low-key charm to the movie's knowing spin on familiar beats, and far more chaotic non-sexual nudity than Julia Roberts would ever…

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Review of Your Place or Mine (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Feb 2023

What should be breezy, featherweight fun — Reese! Ashton! A screenplay by the lady who wrote The Devil Wears Prada and 27 Dresses…

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Review of Magic Mike's Last Dance (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Feb 2023

Last Dance is missing a lot, but it has the moves you mostly came for — and in its final strobe-lit moments, the full release of a Hollywood ending…

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Review of Los Angeles Plays Itself (2004)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 05 Feb 2023

Gliding from the physical to the metaphysical, Andersen reveals how films like ''Chinatown'' effectively remade the reality of Los Angeles,…

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Review of Knock at the Cabin (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Feb 2023

Shyamalan may be saying something meaningful about faith or environmental destruction or the corrosive fraying of the social contract (could…

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Review of The Pod Generation (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 02 Feb 2023

Ejiofor is eminently relatable as an analog man who can't seem to understand where it all went wrong, and Clarke's eyebrows knit with such…

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Review of Infinity Pool (2023)

By Joshua Rothkopf (1,058) for Entertainment Weekly (6,953) on 27 Jan 2023

At least Mia Goth, herself recently reborn as indie horror's new scream queen with Pearl, understands the assignment, getting more unhinged…

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Review of Shotgun Wedding (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Jan 2023

This Wedding clearly wasn't meant to be a masterpiece, but even as mid-winter fluff it feels like a rush job: a marriage made for lazy-Sunday…

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Review of You People (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Jan 2023

The movie is much better when it relaxes its death grip on screenwriter-y punchlines and slapstick cringe and just allows its cavalcade of…

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