Review of Winter Light (1963) by Al M — 13 May 2009
Winter Light is as compact and sparse as it is harrowing. Few films place the reader in such unnerving proximity to their characters. Faces constantly fill the screen, their emotions on bare display to the viewer.
Adhering rather strictly to the unities of time and place, Bergman's film unfolds in a mere hour and 20 minutes that conflates a mere six hours or so. And it only features perhaps three different settings.
At center stage here are a pastor Tomas and his lover Marta. While many of Bergman's films explore the nature of faith, god, death, and meaninglessness, none prove so continuously disturbing and riveting as Winter Light.
Beautifully and hauntingly shot with absolutely incredible performances, Bergman depicts a touching declaration of love and its denial as well as a suicidal man who seeks solace from a small town pastor who can no longer offer him any hope.
Ultimately, Bergman's film is as touching and horrifying as it is magnetizing.
This review of Winter Light (1963) was written by Al M on 13 May 2009.
Winter Light has generally received very positive reviews.
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