Review of Toni Erdmann (2016) by Ginak — 27 Feb 2017
I think this is a fascinating film, and one of the best things about it is how the audience gradually caught on to what Inez’s estranged (and strange) father was trying to do here – give his daughter a sense of balance and perspective about life.
And at the end, she is still not quite convinced, I think, but I don’t want to include any plot spoilers. However, I think he has helped her (and us) make considerable progress toward understanding her/our own worth and desires.
I guess its length is a problem for an American audience, but it is a movie like “Magnolia,” where you just have to surrender and “go with it” to enjoy it. And I have to confess that I’ve sat through a lot of Wagnerian operas, so listening to incomprehensible German and reading subtitles is not such a shock to me.
If you try to relax and enjoy it and not be judgmental (like Inez), the action and craziness will carry you along, and I think you will find it rewarding. It’s a movie I will not soon forget, both for its craziness and for its message.
This review of Toni Erdmann (2016) was written by Ginak on 27 Feb 2017.
Toni Erdmann has generally received very positive reviews.
Was this review helpful?
