Review of Toni Erdmann (2016) by Kate Taylor for Globe and Mail — 27 Jan 2017
As director Maren Ade builds one extended set piece after another, you will gradually spy her brilliant fusion of form and function: the languid pacing reproduces in the audience the feeling of Ines’s excruciating discomfort and desire to see her father shuffle out of the scene.
You can read the full review where it was originally posted online.
This review of Toni Erdmann (2016) was written by Kate Taylor and published by Globe and Mail on 27 Jan 2017.
Toni Erdmann has generally received very positive reviews.
Was this review helpful?
Yes
No
