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Review of The Wayward Cloud (2005) by Jake B — 10 Jun 2007

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In the weird world straddling art and porno, Wayward Cloud uses mermen and watermelons.

This review of The Wayward Cloud (2005) was written by Jake B on 10 Jun 2007.

The Wayward Cloud has generally received positive reviews.

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More Reviews of The Wayward Cloud

Review of The Wayward Cloud (2005)

By Andrew S (3,174) on 31 Mar 2008

This Tsai is certainly capable of bold, even startling moments, but there's never a great deal going on on a narrative level, and the compensatory…

Review of The Wayward Cloud (2005)

By Darren D (181) on 09 Mar 2008

I will never look at a watermelon in the same way again…

Review of The Wayward Cloud (2005)

By Muhammad A (1) on 14 Jan 2014

Truly the strangest musical of all time... ok so maybe Forbidden Zone is stranger... maybe…

Review of The Wayward Cloud (2005)

By Walter M (1,360) on 20 Apr 2010

[font=Century Gothic]The Wayward Cloud is a sequel to What Time Is It There?, set during a severe drought in Taiwan…

Review of The Wayward Cloud (2005)

By Viktor N (364) on 28 Aug 2008

Weird, just weird but if one likes the suprising Far-East movies with an artistic shot to them, this is a must see…

Review of The Wayward Cloud (2005)

By Ary M (3) on 18 Apr 2010

Wow...definitely one of the strangest films I've ever seen, but I couldn't stop watching it, even after the Bollywood-style singing started…

Review of The Wayward Cloud (2005)

By Ollie W (539) on 25 Sep 2011

Visually intriguing and at times quite perverse (the final closing scene are a little gross) this completely baffling little Tai film is an…

Review of The Wayward Cloud (2005)

By Ian H (828) on 30 May 2010

This is so close to being amazing and in parts it is!But only in parts. Some piss funny bits, some good cinemaphotography…

Review of The Wayward Cloud (2005)

By Nick S (1,027) on 23 Nov 2007

Tsai's films always suprise me. But this astonished me!. No words to describe it…

Review of The Wayward Cloud (2005)

By Martin T (888) on 21 Aug 2008

This is Tsai's most hilarious work, going beyond his usual brand of deadpan comedy. However, this also turns out to be the one drawback…

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