Review of The Third Man (1949) by Mark Feeney for Boston Globe — 04 Jun 2006
Krasker’s camera reveals a dank, matte, defeated city — so dully vivid as to be a character unto itself — except that this Vienna becomes something altogether different seen at night or underground.
In that velvety shadowscape, even rubble and sewage look glamorous.
You can read the full review where it was originally posted online.
This review of The Third Man (1949) was written by Mark Feeney and published by Boston Globe on 04 Jun 2006.
The Third Man has generally received very positive reviews.
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