Review of The Third Man (1949) by Ap Kryza for Willamette Week — 30 Jun 2015
What really makes the film sing, though, isn't the jaunty and iconic zither score by Anton Karas. It's the film's groundbreaking visual aesthetic, which combines noir tropes with expressionism to create a visual wonderland of living shadows.
You can read the full review where it was originally posted online.
This review of The Third Man (1949) was written by Ap Kryza and published by Willamette Week on 30 Jun 2015.
The Third Man has generally received very positive reviews.
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