Review of The Misfits (1961) by Pauline Kael for The New Yorker — 25 Dec 2018
A perplexing misfire more than a complete dud, The Misfits‘s true legacy remains in the personal histories of those involved with the production rather than in the far more exceptional careers of the artists who brought it to its dull fruition.
You can read the full review where it was originally posted online.
This review of The Misfits (1961) was written by Pauline Kael and published by The New Yorker on 25 Dec 2018.
The Misfits has generally received positive reviews.
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