Review of The High Note (2020) by Johnny Oleksinski for New York Post — 28 May 2020
The lovable Ross, who does her own singing, doesn’t have her mom Diana’s diva energy, and Johnson speaks with only a rote understanding of music. The film’s one twist is as predictable as tomorrow’s itinerary.
You can read the full review where it was originally posted online.
This review of The High Note (2020) was written by Johnny Oleksinski and published by New York Post on 28 May 2020.
The High Note has generally received positive reviews.
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