Review of The High Note (2020) by Monica Castillo for RogerEbert.com — 28 May 2020
The film gets teasingly close to bringing up some hefty conversations about women in the music business, but in the end, those notes stay flat, playing more like a melody that doesn’t stick around for long.
You can read the full review where it was originally posted online.
This review of The High Note (2020) was written by Monica Castillo and published by RogerEbert.com on 28 May 2020.
The High Note has generally received positive reviews.
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