Review of The High Note (2020) by Kate Erbland for IndieWire — 25 May 2020
The strength of the pair’s chemistry — with Johnson cast as the smart but starry-eyed Maggie and Ross doing a lighter spin on her own real-life mother’s mythos as the larger-than-life Grace — helps guide shaky character development, though The High Note is less successful at making its stars shine when they interact with others.
You can read the full review where it was originally posted online.
This review of The High Note (2020) was written by Kate Erbland and published by IndieWire on 25 May 2020.
The High Note has generally received positive reviews.
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