Review of The High Note (2020) by Richard Lawson for Vanity Fair — 28 May 2020
The High Note isn’t an ecstatic, tenuously held burst; instead, it’s a mellow pleasure, sleekly directed by Ganatra, who turns Flora Greeson’s occasionally programmatic script into something of smooth, sensual warmth.
It is, above all else, an inviting opportunity for two likable actors, Dakota Johnson and Tracee Ellis Ross, to simply exist on screen together, fluid in their casual appeal and gracefully bringing a sappy, aspirational story to mostly credible life.
You can read the full review where it was originally posted online.
This review of The High Note (2020) was written by Richard Lawson and published by Vanity Fair on 28 May 2020.
The High Note has generally received positive reviews.
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