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Last updated: 06 Jun 2026 at 08:28 UTC

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Review of by Richard Brody for New Yorker — 01 Feb 2016

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May directs with bristling restraint: the camera runs at length, keeping the characters trapped in the excruciating moment, and, with the central trio of typecast actors tightly held on this side of parody, the humor oscillates between sour comedy and droll tragedy.

You can read the full review where it was originally posted online.

This review of The Heartbreak Kid (1972) was written by and published by New Yorker on 01 Feb 2016.

The Heartbreak Kid has generally received positive reviews.

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