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Review of by Nanifaye — 17 Aug 2007

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This movie involves some of my most favorite themes and interests - the tree of life, the Mayans, scientists, new medicines discovered from plants in the rainforest, books, the acceptance of death, the fight against death, hope, peace, and space travel.

One of the primary dynamics in the movie is the contrast between the man who is spending all his time and energy trying to find a way to keep the woman alive. One wonders if perhaps his time was better spent by spending time with her, listening to her, loving her, and just being with her in her final days.

To me that is the crux of the movie, and I felt it deeply - her acceptance of death, and his fight against it (and essentially against her in a way). I have not stopped thinking about this movie since I watched it, and I absolutely love it.

For me, and I understand for many others, it is the epitome of beauty and depth. And yes, in the end some things didn't add up, and the "lotus position" was hokey for sure - meditation does not involve any physical posture, it is an inner state of being (but how to show that visually? Then again, the first time I watched the movie, I thought the space bubble was in fact the man's inner state of being, portrayed visually, and was a not a "real" place but a representation of what was in his head.

..who knows...). But the heart was there and the intentions were good, even if the portrayal of the themes was not perfect - but who has done this and these themes before any better? I must say also though that my own life experiences and background and interests had a profound effect on the way I received this movie.

So many of the visuals, the themes, and the ideas are so embedded in me that if the movie were based on some other visuals and themes, I might not have really liked it at all. (Botany, Medicine, Anthropology, Space Travel, Meditation, and the death of a Beloved).

This review of The Fountain (2006) was written by on 17 Aug 2007.

The Fountain has generally received positive reviews.

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