Review of The Double Life of Véronique (1991) by Anthony Lane for The New Yorker — 21 Oct 2014
The film is filled to dazzling with the vitreous and the translucent; the flaw running down the window of a Polish train seems, in some mystifying way, as momentous as a rift in space-time. We see through a glass darkly, and often confusingly, but at least we see.
You can read the full review where it was originally posted online.
This review of The Double Life of Véronique (1991) was written by Anthony Lane and published by The New Yorker on 21 Oct 2014.
The Double Life of Véronique has generally received very positive reviews.
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