The Double (2014) - Movie Reviews - Page 18 of 24

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Review of The Double (2014)

By Mark I (63) on 11 May 2014

Great film, with elements of darkness, and strong acting, Richard Ayoade first film Submarine, was a quite masterpiece, this is totally different…

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Review of The Double (2014)

By Michael L (2,383) on 11 May 2014

One of the best films I have ever seen and hope to ever see, Ayoade takes themes and a plot that has been done and makes it seem like you have…

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Review of The Double (2014)

By David P (1,645) on 11 May 2014

One of the best films I have ever seen and hope to ever see, Ayoade takes themes and a plot that has been done and makes it seem like you have…

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Review of The Double (2014)

By Matt Prigge (853) for Metro (930) on 10 May 2014

It feels old-hat but just fresh enough - a hand-me-down vision that you've only mostly seen before…

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Review of The Double (2014)

By Diane Garrett (8) for TheWrap (3,203) on 10 May 2014

Without a character to really care about, the movie just comes off as fraught and over-stylized…

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Review of The Double (2014)

By Cj C (605) on 10 May 2014

This is an interesting film in every way…

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Review of The Double (2014)

By Andrew O'hehir (1,324) for Salon.com (2,725) on 09 May 2014

As a pure head-trip visual and auditory experience it feels like one of the biggest discoveries, and biggest surprises, of 2014…

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Review of The Double (2014)

By Kyle Smith (1,916) for New York Post (6,650) on 09 May 2014

Based on a lesser-known Dostoyevsky work, Brit director Richard Ayoade’s breathtakingly realized oddity will appeal to fans of David Lynch…

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Review of The Double (2014)

By Amir Soltani (20) for Movie Mezzanine (782) on 09 May 2014

With this film, Ayoade establishes himself as a vibrant and unique voice in cinema, one whose take on familiar thematic and formal tropes yields…

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Review of The Double (2014)

By Ryan R (1,135) on 09 May 2014

I can honestly say that I am without a doubt confused at the ending of this film…

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Review of The Double (2014)

By Bob Mondello (417) for NPR (1,713) on 08 May 2014

This workplace-as-hellscape is not new territory, exactly — the story's based on Dostoevsky, plays like Kafka, and looks like an Orwellian…

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Review of The Double (2014)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 08 May 2014

While the cinematography and production design give The Double a formidable if not particularly original look, what really sells the movie…

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Review of The Double (2014)

By Jeffrey M. Anderson (3,573) for Common Sense Media (4,943) on 08 May 2014

As with his previous movie, Submarine, director Richard Ayoade doesn't really bring anything new to the screen here, but what he does bring…

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Review of The Double (2014)

By Morgan Wilcock (7) for Film Comment Magazine (842) on 08 May 2014

Like a lucid nightmare on the subway at odd hours, The Double leaves one feeling intellectually stimulated, creatively charged, and close to…

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Review of The Double (2014)

By Dana Stevens (1,435) for Slate (2,081) on 08 May 2014

Ayoade creates a uniquely stylized dystopia, lit in dusty tones of olive and ochre and scored, mysteriously but somehow perfectly, to vintage…

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Review of The Double (2014)

By Foxgrove (359) on 08 May 2014

The Double is consistently fascinating enough not to be considered a bad film, but is also too frustratingly opaque to be a really good one…

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Review of The Double (2014)

By Ryan K (1,614) on 08 May 2014

My god this is one of the best black comedies I have seen in a while and my new favorite film to star Jesse Eisenberg…

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Review of The Double (2014)

By Liam C (674) on 08 May 2014

When this started I was terrified, not to say Jesse Eisenberg is a bad actor but he has his thing where he talks very fast and acts kind of…

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Review of The Double (2014)

By Stephen Whitty (1,794) for Newark Star-Ledger (1,745) on 08 May 2014

While this film about copies may feel a little familiar, it's also original - in all the best ways…

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Review of The Double (2014)

By Betsy Sharkey (695) for Los Angeles Times (12,977) on 07 May 2014

It is the interplay between Wasikowska and Eisenberg that gives The Double both its tension and its charm…

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