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Last updated: 11 Jun 2026 at 22:24 UTC

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Review of by John E — 07 Aug 2010

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As the title suggests, this film is all about supposition and suspicion. Consequently, Cary Grant's fascinating against-type portrayal of a dubious yet rakish dastard is the highlight of the film as the audience slowly begins to identify with Lina's mounting suspicion and paranoia.

The buildup is excruciating and the tension gradually increases; the tone deftly shifts from light to dark as it goes on. Hitchcock's direction is on point with menacing lighting and subtle enhancements to Lina's paranoia.

The ending is a tad happy, but actually a nice twist based on what we expect Hitchcock would do. The surprise is in the outcome being the opposite of what is expected. This isn't the best Hitch has ever done but it's certainly worth a look or two.

This review of Suspicion (1941) was written by on 07 Aug 2010.

Suspicion has generally received very positive reviews.

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