Review of Stage Fright (1950) by Richard Brody for New Yorker — 10 Mar 2014
Hitchcock conjures a deep-rooted, irony-rich complicity of father and daughter that seems borrowed from the films of Howard Hawks and suggests the inner compass that helps to guard against chasing the wrong man.
You can read the full review where it was originally posted online.
This review of Stage Fright (1950) was written by Richard Brody and published by New Yorker on 10 Mar 2014.
Stage Fright has generally received positive reviews.
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