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Last updated: 30 Jun 2026 at 01:42 UTC

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Review of by Art S — 10 Dec 2013

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I haven't read James Jones' novel, so it is hard to know if this is faithful. I mention this because the film seemed unpredictable (a good thing) although it vaguely follows the traditions of melodrama.

Sinatra is here as a disoriented writer - he doesn't know what he wants (having just returned from some war - is it really supposed to be 1948, as suggested at one point?). He returns to his smalltown hometown, sees his self-absorbed noveau riche brother Arthur Kennedy, starts boozing and gambling with Dean Martin, tries to force himself on repressed creative writing teacher Martha Hyer but makes more of a natural fit with ditzy tramp Shirley MacLaine.

Vincente Minelli shoots it in widescreen but this doesn't become eye-popping until the climactic finale which like every scene in this film seems to come out of the blue, more or less like life itself.

This review of Some Came Running (1958) was written by on 10 Dec 2013.

Some Came Running has generally received positive reviews.

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