Review of Satyricon (1969) by Penelope Houston for The Spectator — 08 Jul 2018
Satyricon achieves a curious dual effect. It walks all over the audience with its gross, greasy detail, and at the same time it is deliberately uninvolved and uninvolving.
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This review of Satyricon (1969) was written by Penelope Houston and published by The Spectator on 08 Jul 2018.
Satyricon has generally received positive reviews.
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