Review of Rashomon (1950) by Bosley Crowther for The New York Times — 26 Mar 2007
Much of the power of the picture—and it unquestionably has hypnotic power—derives from the brilliance with which the camera of Director Akira Kurosawa has been used. The photography is excellent and the flow of images is expressive beyond words.
You can read the full review where it was originally posted online.
This review of Rashomon (1950) was written by Bosley Crowther and published by The New York Times on 26 Mar 2007.
Rashomon has generally received very positive reviews.
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