Review of Rashomon (1950) by Sabrina I — 02 Dec 2010

"Rashomon" is a powerful film, clever and multi-layered. The flashback within flashback script was quite unique for its time and stands up well even today. The film also brings up issues of human nature, such as of how people can't always speak the truth.

..how their own perspective clouds their thoughts. Some see what they want to see, such as Tajomaru probably wanted the woman to be fierce even if she actually wasn't that way but he said in court she was.

That's how he saw her while another saw her as weak and cowardly. The film is wonderful in that we don't really know who is telling the truth and who to believe in but we can't help but be swept in by their accounts.

Every story seemed right and remained fascinating. It's also interesting how each character is selfish in their accounts of the story as well, painting themselves in a more positive light. The cinematography is another highlight of the film, Satyajit Ray was surely influenced by Kurosawa because I remember thinking of Pather Panchali while watching this film.

It presents completely stripped down filmmaking, especially the jungle scenes...every little movement of the wind or sunlight peering through the trees gives the film a rustic feel that is perfect for its rural setting.

It's really quite beautiful. I also enjoyed the strong performance from Toshjiro, he's simply captivating. He completely becomes his barbaric character and his pairing with Kurosawa is one of the greatest in cinema.

Overall, Rashomon is is a must-see for any serious cinephile.