Review of Phantom (2013) by Andrew O'hehir for Salon.com — 28 Feb 2013

In this classy, taut white-knuckler – largely shot inside a real-life decommissioned Soviet sub – Robinson asks us to consider more than the hypothetical possibility that the world nearly ended in 1968.

He reminds us that we have no idea how many other near-misses may have happened in the behind-the-scenes history of the modern age and also, more troubling still, that long after the Cold War has faded into memory we continue to have difficulty telling the crazy people from the sane ones.