Persuasion (2022) - Movie Reviews - Page 3 of 3

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Review of Persuasion (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 09 Jul 2022

This adaptation of Jane Austen’s Persuasion, by the theatre director Carrie Cracknell, from a screenplay by Ron Bass and Alice Victoria Winslow,…

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Review of Persuasion (2022)

By Kate Erbland (681) for IndieWire (3,631) on 08 Jul 2022

Onally similar to Autumn de Wilde’s sprightly (and critically lauded) “Emma,” the first-time filmmaker’s cheeky and original debut…

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Review of Persuasion (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 08 Jul 2022

Persuasion is sufficiently bold and consistent with its flagrant liberties to get away with them…

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Review of Persuasion (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Jul 2022

This Persuasion chooses to wear its source material like a thin disposable skin, discarding many of the vital organs (brain, heart) and most…

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Review of Persuasion (2022)

By Hoai-Tran Bui (110) for Slashfilm (971) on 08 Jul 2022

The problem with Persuasion is it doesn't know what it wants to be…

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Review of Persuasion (2022)

By Rachel Labonte (78) for Screen Rant (892) on 08 Jul 2022

There are bound to be viewers less familiar with the source material who are enchanted by Persuasion…

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Review of Persuasion (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 08 Jul 2022

Jane Austen’s calm, subtle novel gets the Fleabag treatment in this smirking romcom; it has more wrong notes than an inebriated squadron…

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Review of Persuasion (2022)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 08 Jul 2022

It’s not hard to figure out the recipe that resulted in Netflix’s Persuasion arriving half-baked from the streamer’s busy oven…

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Review of Persuasion (2022)

By Clarisse Loughrey (259) for The Independent (259) on 08 Jul 2022

Above all, at no point during Carrie Cracknell’s directorial debut do you ever get the sense that anyone’s actually read Persuasion…

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Review of Persuasion (2022)

By Jake Cole (292) for Slant Magazine (8,298) on 07 Jul 2022

The film proves again that the modern-day veneration of Jane Austen as the patron saint of the rom-com is also an act of simplification…

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