Review of Palm Springs (2020) by Iceman21 — 24 Feb 2021

When you see films with an eternal time loop, you automatically think of the legendary Bill Murray comedy Groundhog Day. The theme of the constantly repeating day was taken up by numerous films after that, but none came close to the well-aged classic. Max Barbakow may now have succeeded with his directorial debut film Palm Springs. The film tells the story of Nyles and Sarah, who share the same fate after an incident and grow closer in their literally repetitive lives.

The two protagonists are embodied by Andy Samberg and Cristin Milioti. Samberg plays the carefree and cynical Nyles with quite a lot of wit and has surprisingly profound monologues despite his character's initial apathy. These come out especially once he meets Milioti's character Sarah, with whom Nyles shares some similarities in lifestyle. From the point where they become unwilling companions, their chemistry is unstoppable and has nothing of a superficial Rom Com relationship. They are cheeky, reckless and hilariously play the trump card that their actions will have no consequences. Their chemistry doesn't just come through the comedic factor, though, because from Sarah in particular we get glimpses into the mind of a person who realises her mistakes as the film progresses and tries to mend her ways. Together they also have romantic scenes that are not over-staged and played up, but just happen naturally. The presence of the two is so powerful and stirring that the supporting characters only get a chance to shine at points. J.K. Simmons is always out for revenge as the frustrated Roy, who shares the same suffering as Nyles and Sarah, until even this one-dimensional character shows other facets towards the end. Simmons once again shows that he is most comfortable in supporting roles and uses his subtle humour at the right time. The rest of the cast around Camila Mendes, Meredith Hagner and Peter Gallagher round out the importance of the plot well without making big appearances individually.

Palm Springs is a romantic comedy that does not emulate the cliché of its genre. Barbakow has brought in an idea that we have seen many times like this before, but has a special implementation. The film communicates important messages when it comes to adapting, admitting mistakes or leaving your comfort zone. However, it manages to never fall into the over-the-top drama vortex because the funny and unrealistic scenes always prevail. Paradoxically, another strength of the film is its variety. The fast pacing and treacherous editing never give us the feeling that it is actually the same day throughout the entire ninety minutes of running time. Another feel-good element of the film is its entertaining soundtrack, which makes you want to dance along constantly. Even though Palm Springs has its cliché moments, it is the ultimate cinematic summer experience that gives you a lot of pleasure in times like these.