Review of Opera (1987) by Chris M — 10 Oct 2010
"Opera" (or "Terror at the Opera" in the US) is a giallo (a stylish Italian whodunit) by the italian horror master himself, Dario Argento.
It tells the story of Betty, a girl who has just landed the role of Lady Macbeth in a production of the opera "Macbeth".
Due to the recent injury of the leading lady. But, as most thespians know, Macbeth is "cursed." Many accidents seem to occur around productions of Macbeth. It's so common that people who are in a production of the show do not mention the name while inside a theater, out of superstition (it is often called "The Scottish Play" by these people).
I doubt any misfortunes were as bad as the ones that Betty will have to endure in Dario Argento's lavish "Opera.".
Like Dario Argento's "Suspria" (often called his masterpiece), "Opera" is heavier on visuals and atmosphere rather than story. Also, like "Suspiria," the story isn't always completely coherent. I will say, though, that "Opera" is much more coherent. Some may disagree, but I think "Opera" is just a better movie. It is not as colorful, but it still looks great.
I must also bring up the music. Unlike "Suspiria's" memorable soundtrack by Goblin, the soundtrack in "Opera" is not as memorable and more hit-or-miss. Of course I'm not talking about the opera pieces, they're stupendous. But, for some reason, Argento decided to insert some heavy metal music in certain parts of the music, which I found very, very distracting.
Overall, though, "Opera" is a spectacle. It looks great, sounds great (most of the time), has enough blood to satisfy bloodhounds (well...not the dogs), and has a cool story. I recommend it, especially for the Halloween season!
This review of Opera (1987) was written by Chris M on 10 Oct 2010.
Opera has generally received positive reviews.
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