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Last updated: 12 Jun 2026 at 11:42 UTC

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Review of by Marc M — 09 Jan 2011

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I have been making a point to slowly see all of Jarmusch's films. My first intro into Jarmusch was through Ghost Dog, a film much later in his career. Like many folks around my age [close to 40], I enjoyed the mixing of martial arts, hip hop, and the urban decay. From there I saw Coffee and Cigarettes followed by The Limits of Control. The former was amusing at points and I liked it for what its idea but it's execution was just so-so. As for Control, I just couldn't get into it. Slow pacing coupled with what I felt was just nonsense, it has been the least liked of Jarmusch's films thus far.

N-O-E had its entertaining moments. I found the opening vignette the most annoying. I just think Winona Ryder was not a good fit for the feel of the film. I liked Armin Mueller-Stahl's performance. It was subdued and funny; Perez and Esposito were just a bit over the top. Benigni was funny, if perverted. Bankolé, who's worked with Jarmusch on a number of films, is solid as always. The last short was the most emotional, though the translation made it a bit to follow along.

Jarmusch is certainly talented, but some times I think he forgets we the audience don't always have access to the details that are locked away in his head.

This review of Night on Earth (1991) was written by on 09 Jan 2011.

Night on Earth has generally received very positive reviews.

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