Review of Neruda (2016) by Giovanni Marchini Camia for The Film Stage — 20 May 2016
As radical a reinvention of the biopic as Todd Haynes’ I’m Not There, Neruda is Larraín’s most conceptual and also his most demanding film yet. Like Haynes, Larraín attempts to create a hybrid between his subject’s art and biography, and, like Haynes’ film, Larraín’s is generally more fascinating than it is enjoyable.
You can read the full review where it was originally posted online.
This review of Neruda (2016) was written by Giovanni Marchini Camia and published by The Film Stage on 20 May 2016.
Neruda has generally received positive reviews.
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