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Last updated: 29 Jun 2026 at 01:42 UTC

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Review of by Chuck Bowen for Slant Magazine — 07 Mar 2001

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Stunningly, it isn’t even Altman’s best film (that would be McCabe & Mrs. Miller), but Nashville is still the movie that best embodies everything that was so freeing and generous and deceptively casual about Altman’s art, and it’s the film that best represents him as a uniquely American artist.

You can read the full review where it was originally posted online.

This review of Nashville (1975) was written by and published by Slant Magazine on 07 Mar 2001.

Nashville has generally received very positive reviews.

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