Review of Moscow on the Hudson (1984) by Pauline Kael for The New Yorker — 03 Apr 2002
Directed by Paul Mazursky with his usual unusual touches, Moscow would be in a lot of trouble without a superbly sensitive portrayal by Robin Williams of a gentle Russian circus musician who makes a sudden decision to defect while visiting the US.
You can read the full review where it was originally posted online.
This review of Moscow on the Hudson (1984) was written by Pauline Kael and published by The New Yorker on 03 Apr 2002.
Moscow on the Hudson has generally received positive reviews.
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